Written by: Horton Foote and Thomas C. Ryan Based on Hurry Sundown by K.B. Gilden
Directed by: Otto Preminger
Featuring: Michael Caine, Jane Fonda, John Phillip Law, Diahann Carroll, Robert Hooks, Faye Dunaway, Burgess Meredith, Robert Reed, George Kennedy, Frank Converse, Loring Smith, Beah Richards, Madeleine Sherwood, Rex Ingram, Steve Sanders, John Mark, Doro Merande, Luke Askew, Donna Danton and Jim Backus
Julie Ann Warren:“It wasn’t until I was ten years old that I realized that “damn” and “Yankee” were two separate words!”
“Hurry Sundown” is a 1967 drama film directed by Otto Preminger and starring Jane Fonda, Michael Caine, and Faye Dunaway. The film is set in the American South during the 1940s and deals with issues of racism and land ownership.
The film follows the story of two white men, Ty Ty Walden (played by Caine) and his cousin, Buck Walden (played by George Kennedy), who own a large plantation in the South. Ty Ty decides to sell a portion of the land to a black man named Reeve Scott (played by Robert Hooks), which causes a stir among the white residents of the area.
The film portrays the racism and discrimination that was prevalent in the South at the time, as well as the tensions between the black and white communities. The performances of the actors are generally good, with Fonda and Dunaway delivering strong performances in particular.
The film’s pacing is slow at times, and some of the dialogue and scenes can feel forced or contrived. Additionally, the portrayal of the black characters in the film has been criticized for being stereotypical and lacking in depth.
Overall, “Hurry Sundown” is an interesting and thought-provoking film that addresses important issues. While it may not be perfect, it is worth a watch for those interested in the history of racism and discrimination in the United States.
“Hurry Sundown” is a 1967 drama film directed by Otto Preminger and starring Jane Fonda, Michael Caine, and Faye Dunaway. The film is based on the novel of the same name by K.B. Gilden.
The film takes place in the rural South in the 1940s and centers around two families, one black and one white, who are involved in a dispute over land. The white family, led by siblings Robert (Caine) and Julie Ann Warren (Dunaway), want to buy out the black family’s land in order to expand their own plantation. However, the black family, led by Reeve Scott (John Phillip Law), refuse to sell and instead fight to keep their land.
“Hurry Sundown” touches on themes of racism, greed, and power struggles. The performances by the ensemble cast are strong, particularly Jane Fonda as Julie Ann Warren and John Phillip Law as Reeve Scott. The cinematography is also impressive, capturing the lush, southern landscape.
However, the film has been criticized for its stereotypical portrayal of black characters, who are largely portrayed as subservient and powerless. Additionally, the plot can be slow-moving at times, and the film’s message can feel heavy-handed.
“Hurry Sundown” is a well-acted and visually stunning film that offers a snapshot of a particular time and place in American history. However, it is not without its flaws and may not appeal to all audiences.
In terms of critical reception, “Hurry Sundown” received mixed reviews upon its release. Some critics praised the film’s performances and technical aspects, while others criticized its handling of the sensitive subject matter and the stereotypical portrayal of black characters.
Despite its flaws, “Hurry Sundown” is still considered an important film in the history of American cinema. The film tackled issues of racism and power dynamics at a time when such topics were not widely discussed in mainstream media. Additionally, the film’s large ensemble cast featured several notable actors, including Jane Fonda and Michael Caine, who went on to become major stars in the industry.
In conclusion, while “Hurry Sundown” may not be a perfect film, it remains a significant work in American cinema that tackled important themes and featured impressive performances from its cast.
Video Review
Imprint brings Hurry Sundown to Blu-ray framed at 2.35.1 widescreen and in AVC encoded 1080p high definition transfer taken from “2k scan provided by Paramount Pictures.” Offered up on a dual layered 50GB disc, the picture quality looks similar to the Olive Films Blu-ray edition from 2014 in terms of color reproduction but it definitely features better compression. Detail levels, depth and texture also look very similar to the 2014 release and as this isn’t advertised as coming from a new scan, it is likely taken from the same source. Either way, it’s a decent enough high definition offering. Some more cleanup work could probably have done away with some of the minor print damage that appears here and some scenes look a tad soft, but overall this is perfectly watchable, just never reference quality.
Audio Review
The 24-bit LPCM 2.0 Mono track, in the film’s native English sounds fine. Optional subtitles are offered in English only. It sounds pretty solid. The track is clean, clear and nicely balanced and while limited in range, it does provide the score some depth.
Featuring: Ellen Burstyn, Sam Shepard, Richard Farnsworth, Roberts Blossom, Clifford David, Pamela Payton-Wright, Jeffrey DeMunn and Eva Le Gallienne
Esco Brown:“Go carefully, with peace in your heart, with love in your eyes, and with laughter on your tongue. And if life don’t hand you nothing but lemons, you just make you some lemonade. That’s from Book Brown, Chapter One, Verse One.”
“Resurrection,” directed by Daniel Petrie and starring Ellen Burstyn and Sam Shepard. This film tells the story of a woman named Edna Mae (Burstyn) who, after being pronounced dead for several minutes following a car accident, experiences a spiritual awakening and begins to exhibit miraculous healing powers.
Overall, “Resurrection” is a well-acted and emotionally affecting film that explores themes of faith, spirituality, and the power of belief. Burstyn gives a powerful performance as Edna Mae, conveying both the fear and confusion she experiences following her accident, as well as the sense of purpose and connection she feels as she begins to heal others. Shepard also delivers a strong performance as Cal, a troubled man who becomes Edna Mae’s love interest.
One of the strengths of the film is the way it portrays Edna Mae’s healing powers as ambiguous and open to interpretation. Some characters believe she is performing genuine miracles, while others see her as a fraud or a danger to herself and others. This ambiguity allows the film to explore complex questions about the nature of faith and the role of belief in healing.
However, the film can also feel slow-paced at times, and some viewers may find the religious themes heavy-handed or off-putting. Additionally, some of the supporting characters feel underdeveloped, and the film’s climax can feel somewhat rushed and unsatisfying.
Overall, “Resurrection” is a thought-provoking and emotionally resonant film that is worth watching for Burstyn’s powerful performance and the film’s exploration of faith and healing.
Additionally, the film’s themes of resilience, personal transformation, and the search for meaning are also effectively portrayed. Edna Mae’s journey from a traumatized and broken woman to a confident and compassionate healer is inspiring and heartwarming. The film also highlights the importance of community and support in the healing process, as Edna Mae is able to find acceptance and understanding among a group of like-minded individuals who have also experienced spiritual awakenings.
The cinematography and music in “Resurrection” are also noteworthy, with the film’s visual style conveying both the beauty and the starkness of the rural setting in which the story takes place. The music, composed by Maurice Jarre, adds to the film’s emotional impact with its haunting and uplifting melodies.
Overall, “Resurrection” is a touching and thought-provoking film that is sure to leave an impression on viewers who are open to its themes of faith, spirituality, and personal growth. While it may not be for everyone, those who are drawn to stories of healing and transformation are likely to find much to appreciate in this film.
Another strength of “Resurrection” is its portrayal of the relationship between Edna Mae and Cal. While their romance may seem unlikely at first, their connection feels authentic and genuine, and their interactions are filled with nuance and complexity. Cal’s journey from a skeptical and troubled loner to a supportive and loving partner is also well-developed and adds depth to the film’s themes of redemption and personal growth.
One of the film’s most memorable scenes is when Edna Mae visits a terminally ill boy in the hospital and is able to bring him back to life through her healing powers. The scene is both moving and suspenseful, and highlights the potential consequences of Edna Mae’s abilities. It also adds to the film’s exploration of the complex relationship between faith, belief, and healing.
While “Resurrection” may not be a perfect film, its strengths far outweigh its weaknesses. Burstyn’s nuanced and powerful performance anchors the film, while the exploration of faith, spirituality, and personal growth is both thought-provoking and emotionally resonant. Overall, “Resurrection” is a film that is well worth watching, particularly for those who are interested in stories of healing and transformation.
Another interesting aspect of “Resurrection” is the way it portrays the tension between traditional medicine and alternative healing methods. Edna Mae’s healing powers are initially dismissed by medical professionals as a mere coincidence or a result of her brain damage, and she faces skepticism and opposition from many people who are skeptical of her abilities. However, as she continues to heal people and attract a following, she also attracts the attention of those who seek to exploit her for their own gain. This tension adds another layer of complexity to the film’s exploration of faith and belief, and raises important questions about the ethics of healing practices and the importance of informed consent.
The film’s ending may feel ambiguous or unsatisfying to some viewers, as it leaves many questions unanswered and doesn’t provide a clear resolution to the conflicts and dilemmas raised throughout the story. However, this ambiguity also leaves room for interpretation and reflection, and invites viewers to think more deeply about the film’s themes and ideas.
Overall, “Resurrection” is a well-crafted and thought-provoking film that deserves to be better known. Burstyn’s performance is outstanding, and the film’s exploration of faith, healing, and personal transformation is both insightful and emotionally engaging. While it may not appeal to everyone, those who are drawn to spiritual or philosophical films are likely to find much to appreciate in this underrated gem.
Featuring: Rob Lowe, Demi Moore, James Belushi and Elizabeth Perkins
Debbie:“Bullshit. You don’t know what love is. You’ve gotten everything you have always wanted and now you’re feeling sorry for yourself because there’s something you want and you can’t have it. But you had it! I gave you love. But you asked me to leave and I left.”
The 1986 movie “About Last Night…” is a romantic comedy-drama directed by Edward Zwick and starring Rob Lowe, Demi Moore, James Belushi, and Elizabeth Perkins. The film is based on the 1974 play “Sexual Perversity in Chicago” by David Mamet.
The story follows Danny and Debbie, two young adults who meet at a bar in Chicago and begin a passionate, but tumultuous relationship. The film explores the ups and downs of their romance, as well as the friendships and relationships of their respective best friends, Bernie and Joan.
“About Last Night…” received generally positive reviews from critics, who praised the film’s humor, performances, and realistic portrayal of relationships. Rob Lowe and Demi Moore’s chemistry was particularly praised, and the film is often regarded as one of the best romantic comedies of the 1980s. The movie was also a commercial success, grossing over $38 million at the box office. Overall, “About Last Night…” is a classic romantic comedy-drama that continues to be enjoyed by audiences to this day.
The film’s themes of love, sex, and relationships, as well as its portrayal of the dating scene in the 1980s, have made it a cultural touchstone for many viewers. It also features a notable soundtrack that includes songs by artists such as John Waite and Sheena Easton.
In addition to its critical and commercial success, “About Last Night…” is also notable for its impact on the careers of its stars. The film helped to establish Rob Lowe and Demi Moore as major Hollywood actors, and it also marked a departure for James Belushi, who was previously known primarily for his work on TV’s “Saturday Night Live.”
The film also delves into the complexities of relationships, exploring issues such as communication, trust, and the challenges of commitment. It portrays the ups and downs of relationships in a realistic and relatable way, making it a beloved film for many who have experienced the joys and struggles of love.
Beyond its thematic content, the film’s direction by Edward Zwick is also noteworthy. Zwick is known for his ability to bring out strong performances from actors, and this film is no exception. Rob Lowe and Demi Moore deliver powerful and nuanced performances as the central couple, and James Belushi and Elizabeth Perkins also shine in their supporting roles.
In conclusion, “About Last Night…” is a classic romantic comedy-drama that continues to resonate with audiences decades after its release. Its strong performances, direction, and themes have made it a beloved film that is often cited as one of the best romantic comedies of the 1980s. Whether you’re a fan of romantic films or just looking for a movie that explores the complexities of relationships, “About Last Night…” is a must-watch.
Another notable aspect of “About Last Night…” is its cultural impact. The film’s depiction of young adults navigating relationships in the 1980s has made it a touchstone for many viewers who came of age during that era. Its portrayal of dating, love, and sex has also influenced subsequent films and TV shows, making it a seminal work in the romantic comedy genre.
Additionally, the film’s soundtrack is also worth mentioning. It features several memorable songs, including John Waite’s “Missing You,” which was a hit single in 1984. The soundtrack also includes tracks by artists such as Sheena Easton, The Pointer Sisters, and Bob Seger, contributing to the film’s overall nostalgic feel.
“About Last Night…” is a classic romantic comedy-drama that has stood the test of time. Its realistic portrayal of relationships, strong performances, and impact on popular culture make it a must-watch for fans of the genre. If you haven’t seen it yet, it’s definitely worth adding to your watchlist. “About Last Night…” is a classic romantic comedy-drama that has stood the test of time. Its themes and humor continue to resonate with audiences, and its strong performances and direction have made it a beloved film for many.
Written by: Neal Israel, Pat Proft and PJ Torokvei
Directed by: Martha Coolidge
Featuring: Val Kilmer, Gabe Jarret, Michelle Meyrink and William Atherton
Mitch:“You know, um, something strange happened to me this morning…”
Chris Knight:“Was it a dream where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?”
Mitch:“No…”
Chris Knight:“Why am I the only one who has that dream?”
“Real Genius” (1985) is a classic comedy film released in 1985, directed by Martha Coolidge and starring Val Kilmer and Gabriel Jarret. The film follows a group of talented students who are recruited to work on a secret project at a prestigious university.
The story begins with a young genius named Mitch Taylor (Gabriel Jarret), who is offered a scholarship to attend Pacific Tech, a top-notch university known for its science and technology programs. Mitch is immediately introduced to his roommate, Chris Knight (Val Kilmer), a brilliant but rebellious student who spends more time pulling pranks than studying.
It turns out that Chris and his group of fellow geniuses are working on a top-secret project for the government. They are developing a powerful laser weapon that can be used to destroy enemy targets from miles away. The project is led by the ruthless Dr. Jerry Hathaway (William Atherton), who is determined to win the race to build the weapon.
Mitch is soon recruited to join the project, and he quickly discovers that the laser is not all it seems. Chris and his team have discovered that the weapon has a dangerous flaw that could cause it to malfunction and cause widespread destruction. They are determined to sabotage the project before it is too late.
The film is a hilarious and irreverent take on the world of science and academia. It pokes fun at the high-pressure environment of top universities and the egos of the brilliant minds who inhabit them. At the same time, it celebrates the spirit of creativity and innovation that drives these students to pursue their dreams and break new ground.
Val Kilmer delivers a standout performance as the charismatic Chris Knight, who is both a rebel and a genius. He brings a sense of fun and mischief to the role, making him a likable and relatable character. Gabriel Jarret also shines as the earnest and driven Mitch, who is torn between his loyalty to Dr. Hathaway and his newfound friendship with Chris.
The film’s climax is a thrilling and hilarious sequence that sees Chris and his team rig the laser to send a giant popcorn ball flying through the air and crashing into Dr. Hathaway’s house. It’s a fitting end to a film that never takes itself too seriously and always keeps the audience guessing.
One of the most striking aspects of “Real Genius” is the way it explores the idea of the responsibility that comes with scientific discovery. The film presents a complex ethical dilemma that forces the characters to choose between advancing their own careers and doing what is right for the greater good.
At the heart of the film is the character of Chris Knight, who embodies the tension between scientific progress and personal integrity. Chris is a genius who could easily have a successful career in science, but he is also deeply skeptical of authority and has a strong sense of ethics. He refuses to compromise his principles for the sake of his research, and ultimately becomes a voice of conscience for the other characters.
The film’s critique of the military-industrial complex is also notable. The laser project is driven by the government’s desire for a powerful weapon, and the scientists involved in the project are willing to overlook the potential harm that could be caused by their invention. The film suggests that the pursuit of scientific progress cannot be divorced from the political and social contexts in which it takes place.
Despite its serious themes, “Real Genius” is first and foremost a comedy, and the film’s humor is a major part of its enduring appeal. The film’s comedic moments are clever and often subversive, poking fun at academic culture and the absurdities of scientific research. From the giant ice cream sundae to the indoor rainstorm, the film is full of memorable gags and visual jokes.
“Real Genius” is a delightful and thought-provoking film that combines humor, intelligence, and heart. It is a film that celebrates the spirit of innovation and the importance of critical thinking, while also reminding us of the responsibility that comes with scientific discovery. Whether you are a science enthusiast or simply looking for a good laugh, “Real Genius” is a film that is sure to entertain and inspire.
Overall, “Real Genius” is a classic comedy that has stood the test of time. Its witty writing, strong performances, and memorable moments have made it a favorite among fans of the genre. Whether you’re a fan of science or just looking for a good laugh, this film is definitely worth checking out.
Featuring: Julia McKenzie, Anton Rodgers, Ann Beach, Fanny Rowe, Ballard Berkeley, Debby Cumming, Daphne Oxenford, Philip Bird and John Arthur
“Fresh Fields” is a British television sitcom that aired from 1984 to 1986, with four series and 26 episodes in total. The show follows the lives of a middle-aged couple, Hester and William Fields, as they navigate their daily lives and deal with the challenges of aging.
The show is characterized by its gentle humor and realistic portrayal of the struggles faced by older adults. The performances by the lead actors, Julia McKenzie and Anton Rodgers, are excellent, and they bring a lot of warmth and charm to their roles.
One of the strengths of “Fresh Fields” is its ability to deal with serious issues in a lighthearted manner. The show tackles topics like retirement, health problems, and family relationships with sensitivity and humor, which makes it appealing to audiences of all ages.
Overall, “Fresh Fields” is a delightful and charming sitcom that is well worth watching. Its portrayal of older adults as complex and multi-dimensional characters is refreshing, and its gentle humor is sure to put a smile on your face.
In addition to the lead actors, the supporting cast is also strong, with memorable performances from other characters such as Hester’s best friend, Sonia, and William’s boss, Trevor.
The show is set in suburban London, and the production design captures the look and feel of that era, adding to the show’s nostalgic appeal. The music score, too, is a standout feature, with its catchy and memorable theme tune.
While “Fresh Fields” may not be as well-known as some other British sitcoms of its era, such as “Only Fools and Horses” or “Blackadder,” it is still a beloved classic that holds up well today. Its depiction of middle-aged life is relatable and universal, and its themes of family, friendship, and love are timeless.
Furthermore, one of the key strengths of “Fresh Fields” is the chemistry between Julia McKenzie and Anton Rodgers. They play off each other perfectly, bringing a sense of warmth and affection to their characters’ relationship. Their banter and gentle teasing are a delight to watch, and they create a convincing portrait of a long-term married couple.
In terms of its style, “Fresh Fields” is a traditional sitcom with a multi-camera setup and a live studio audience. This gives the show a sense of energy and immediacy, and the laughter of the audience adds to the humor of the show. While the sitcom format may be considered dated by some, it is still an effective way of telling comedic stories, and “Fresh Fields” demonstrates the enduring appeal of the genre.
If you’re looking for a gentle, funny, and heartwarming sitcom that offers a window into the lives of older adults, “Fresh Fields” is definitely worth a watch. With its endearing characters, clever writing, and great performances, it’s a show that will leave you feeling warm and fuzzy inside
Overall, “Fresh Fields” is a charming and entertaining sitcom that offers a glimpse into the lives of older adults. Its gentle humor, relatable characters, and strong performances make it a standout example of the genre. While it may not have the same level of recognition as some other British sitcoms, it is definitely worth a watch for anyone looking for a light-hearted and nostalgic comedy.
Episodes
Season One
Dish of the Day: Hester spices things up with a foray into haute cuisine, landing a job as a part-time chef at a local restaurant. However, she’s missing one vital ingredient for her debut, and only William can save the day.
Middle-Age Dread: Suddenly feeling her years, Hester is determined to prove she’s not too old to start a new career. But her confidence is shaken after she gets turned down for a job at a trendy boutique.
Hook, Line and Sink Her: William plans to get away from it all with a day’s fishing. But there’s a catch–his wife and mother-in-law want to come along, too. The addition of yet another person to the party threatens to change the whole trip entirely.
The Naked Truth: Keen to impress a prospective client visiting from the Middle East, William enlists Hester’s help to ensure the trip goes off without a hitch. The Fields soon discover that the man has an unusual understanding of mixing business with pleasure.
Des. Det. Res.: With property taxes due, William comes up with a drastic solution. He decides it’s time to sell their home and move to a smaller place. Hester has other ideas and enlists two co-conspirators to help execute her plan.
Something in the Oven: Hester is unnerved when she learns that a food critic will be at the restaurant during her shift. She gets edgier still when her unmarried daughter Emma tells her she’s going to have a baby.
Season Two
A Night to Remember: William organizes a special getaway to mark their 24th wedding anniversary. He surprises Hester by taking her back to the hotel where he first proposed–but an even bigger surprise is waiting for them when they get there.
A Brief Encounter: Hackles arise when William notices that Hester’s fencing instructor–a known Casanova–is paying her quite a bit of attention. Hester, however, sees no cause for alarm. Only when she lowers her guard does she realize William might have a point.
Alright on the Night: Hester gets roped into organizing the church bazaar and concert while William plans to escape it all by going fishing for the day. Then a performer calls in sick.
In the Spring: A scandalous affair in the neighborhood gets Hester’s creative juices flowing. She begins a new writing project, much to William’s dismay. Meanwhile, Hester’s father takes an entirely different kind of inspiration from the whole affair.
Business Contacts: When William’s secretary calls in sick, the ever-helpful Hester volunteers to run the office. She must get creative when an important new client shows up for an appointment and William is nowhere to be found.
Get Me to the Church: Emma finally sets a date for her wedding. The church is booked, the jet-setting parents of the groom fly in, and the wedding party assembles for the grand occasion. But no one can make an entrance quite like Hester.
Season Three
Do It Yourself: Determined to give their bedroom a modern makeover, Hester brings in local builder and decorator Mr. Pringle, to William’s dismay. Catching Hester wearing a mudpack gives Mr. Pringle such a fright that he falls downstairs and is indisposed. As Hester and William carry on with the redecorating, Emma rings to announce that they are now the grandparents of a boy named Guy.
A Waiting Game: William is hung over after a drunken but successful night out with prospective client, wine importer Mr Royce. Some nights later Hester organizes a buffet for a private party and drags along William to serve as barman. One of the guests is Mr Royce, who, since the Fields are pretending to be strangers, takes a shine to Hester and makes a play for her, ultimately following the Fields home.
Moveable Feasts: Hester looks forward to babysitting Guy while Emma and Peter attend a function in London; meanwhile she delivers Meals on Wheels to one of Sonia’s old ladies. She gets lost and causes a traffic jam, and policeman she collides with escorts her home, mistakenly believing that she’s the expectant one. The next day when Guy is there, the policeman stops by to check on Hester and is amazed to see her holding such a large baby – for her supposed newborn.
Tipping the Scales: William is not happy when Hester decides that they are overweight and puts them both on a starvation diet. He is even less happy when Hester persuades him to drive her to a car boot sale, sustaining a puncture on the way before they discover that the sale was the day before. Now thoroughly angry he decides to end the diet by sneaking into a burger bar, only to find that Hester has the same idea and is also there.
Crossed Lines: Hester is standing for chairperson of the residents’ association and is not pleased to learn that the other candidate, Miss Henshaw, is a glamorous young woman whom William hopes to attract as a client. At Sonia’s cheese and wine party Hester meets her rival, who may be younger and prettier but has a truly irritating laugh. Fortunately Hester has the last laugh when she wins the election.
Alarums and Excursions: Sonia tells Hester’s fortune and two of her three predictions come true: that she will travel, as William has booked them a weekend in Paris; and that she’ll come into money, since she wins £500 on her Premium Bonds. The third prophecy, that she will have a secret admirer, almost seems to come true when Sonia’s husband forgets her birthday and Hester helps him out, leading to confusion in a dress shop.
A Dickens of a Christmas: Eager for their first Christmas with their grandson, Hester and William are disappointed when Emma says she and Peter have suddenly made other plans. Who will help them consume all that extra food and drink? Fortunately Sonia is happy to come bringing husband John, and Guy will join any party to be close to Nancy. William invites his secretary, and the Fields have one of their best celebrations ever.
Season Four
A Nose for Trouble: After being kept awake by William’s snoring for several nights Hester doesn’t need to look after a dog called Randy while his owner is in hospital, but Sonia insists. William isn’t amused when Randy eats his dinner and a trip to obedience class ends disastrously. After Sonia reclaims Randy the Fields settle down for the night, but now Hester is so used to William’s snoring that she can’t get to sleep without it.
The Old Folks at Home: As chair of the residents’ association Hester opposes the demolition of an empty building to make way for flats, proposing that it become an retirement home instead. To prove the need for one, she persuades Guy, Nancy, and Nancy’s sister Winnie to pose as helpless, deluded old folk when Mr. Gardner, head of the council. visits. Not only is he so convinced that Hester’s plan goes ahead, but he’s so concerned about the old folk that he arranges for them to be moved to a care home ASAP.
One Damned Ming After Another: Hester takes up judo, and proves better at it than at Trivial Pursuit. She also takes her Chinese vase to TV’s ‘Antiques Road Show’, where it is valued at £6,000. Concerned about having such a valuable item in the house, the Fields surprise a burglar and Hester’s judo skills overpower him. They engage the burglar in playing Trivial Pursuit until the police arrive.
Life Is Full of Ups and Downs: William and Hester go to Boulogne to buy cheap food and wine. After a choppy crossing they reach the hypermarket where Hester’s school-girl French baffles the salesman. but rough seas cancel the return crossing. The couple book into a hotel whose name translates to “Hotel of the Bells,” and they soon discover why.
Takes Two to Tango: After Sonia suspects husband John of infidelity with his secretary, Hester has her own suspicions about William when he comes home reeking of perfume – after having a business meeting with perfume saleswoman Miss Henshaw who was merely trying out some samples on him. After this is cleared up, the Fields go to a dinner-dance and draw deserved admiration for their energetic Charleston.
Caught in the Act: William’s efforts to mend a leaking tap only make things worse, requiring a visit from the plumber. Even worse, Peter’s parents, Margaret and Henry Richardson, arrive unannounced and want to stay overnight. The Fields invent a planned visit to Bournemouth and hide at Sonia’s, but then the Richardsons call on Sonia and the Fields flee to Nancy’s flat – where they’re mistaken for burglars. They explain that they had to return early when Nancy caught the flu, but then Henry actually catches it, so the Fields are stuck with the Richardsons for a few days.
Brighton or Bust: Hester is preparing for a charity cycle ride to Brighton to raise funds for the RSPCA but William can do without her practising five miles a night on her exercise bike when he wants to sleep. Hester takes part in the race but gets caught short and chased by a cow in a field, coming into Brighton in last position. That night, feeling less charitable toward the animals she helped, she throws a bucket of water over two noisy cats outside her bedroom window, soaking Sonia in the process.
Happy Returns: The Fields return from Italy to England in time for William to treat Hester for her 45th birthday. Despite his back giving out, requiring a doctor’s visit, the evening is on again until Hester is called in for an emergency at her restaurant. But it’s a ruse: it’s the venue for the surprise party William has been planning for her. An even bigger surprise: Nancy and Guy have gotten remarried.
“Dungeons & Dragons: Honor Among Thieves” is a live-action film adaptation of the famed board game franchise and opens on March 31st.
It follows a group of rogues who steal an artifact as part of a routine job – only to discover that they’ve accidentally delivered doomsday to their fantasy realm and must try to reverse their fate.
Chris Pine, Michelle Rodriguez, Justice Smith, Sophia Lillis, Rege-Jean Page and Hugh Grant star in the project which hails from “Game Night” directors Jonathan Goldstein and John Francis Daley.
“Scream VI” opens this Friday and is set shortly after the latest Ghostface killings in last year’s “Scream”. The four survivors – Sam (Melissa Barrera), Tara (Jenna Ortega), Mindy (Jasmin Savoy Brown) and Chad (Mason Gooding) – leave Woodsboro behind and start a fresh chapter in New York City.
However, the big city may end up being less safe when a new killer emerges, and they’re now in a place where people mind their own business and often won’t be there to help. Plus, a masked killer could be anyone – especially in a large urban populous.
Courteney Cox reprises her series-long role of Gail Weathers, whilst Hayden Panettiere is back as Kirby from the fourth film. Dermot Mulroney, Samara Weaving, Tony Revolori, Jack Champion, Liana Liberato, Devyn Nekoda, Josh Segarra and Henry Czerny also star. Radio Silence duo Matt Bettinelli-Olpin and Tyler Gillett return as directors.
Featuring: Anne Hathaway, Jason Sudeikis, Dan Stevens, Austin Stowell, Agam Darshi, and Tim Blake Nelson
Gloria: “Keep it cool. These people are looking at us.”
Oscar: “She’s the monster.”
Its been five years since Anne Hathaway received her Oscar for supporting actress the for musical “Les Miserables” (2012), at the same time blowing everyone else off the screen, really announcing herself as a force to be reckoned with – if film-makers don’t have her as one of the top five actresses in Hollywood they need to have their heads examined. Since the Oscar Hathaway has appeared in a Sci-fi (“Interstellar” (2014)), a comedy (“The Intern” (2015)), an animated sequel (“Rio 2” (2014)), and a fantasy movie (“Alice Through the Looking Glass “ (2016)). She has proved over the course of her career to be one of the most versatile as well as bankable actresses around. She further proves her talent in her latest movie “Colossal” (2016), an independent comedy/drama about a giant monster and robot, as well as offering quite a few surprises along the way.
Gloria (Anne Hathaway) is an unemployed writer struggling with alcoholism. Her errant behavior prompts her frustrated boyfriend Tim (Dan Stevens) to break up with her and kick her out of their New York City apartment. Gloria ends up reuniting with her childhood friend Oscar (Jason Sudeikis), who now runs his late father’s bar.
Working with Oscar at the bar does not help Gloria’s alcohol problem. After each shift she joins Oscar and his friends Garth (Tim Blake Nelson) and Joel (Austin Stowell) in their ritual of hanging out and drinking until morning. Gloria takes to sleeping it off on a bench near a children’s playground. At the same time, a giant reptilian kaiju appears in Seoul, South Korea, leaving death and destruction in its wake. Gradually, Gloria realizes that when she walks through the playground at exactly 8:05 in the morning, she causes the monster to manifest.Gloria reveals her secret to Oscar and his friends with even more complications – some you will not be prepared for.
This is a move and a half, that starts with a concept that is leftfield and then keeps going. The film is written and directed by Spanish Nacho Vigalondo, who directed the excellent genre film “Timecrimes” (2007) which played with time travel conventions as well as subverting the tropes involved in such films, giving the plot as well as the narrative a twist that was extremely satisfying. Here with “Colossal” he does something similar but with results that may not satisfy all audiences, especially those that have seen the amazing trailer for this movie. There has been a serious decision to subvert the expectations of the audience with the marketing for this film, which is a great idea, it seems to experiment to see how the public will react as well as seeing if this will be a success for future films. This is an interesting thing to do as it is not uncommon for a shot or two to be missing from a movie after the trailer plays – but not an entire storyline.
Tensions between the two main characters as well as Gloria’s boyfriend are extremely interesting particularly in terms of gender politics. Hathaway herself has been the aim of vitriol on the Internet – there is even a line of dialogue that pertains to this, veiled in conversation – which I do find odd, she is not the most polarizing actresses I can think of. Within the film things do take a violent turn, I wont say what but its fascinating – as well as being unnerving and quite scary. There are parallels in real life where women who possibly take a stand or are seen as threatening to men (by men of course) are routinely torn down, sad but true. Look at any male dominated section in society where women try and make in-roads and you will find gender specific hostility much like this movie. It truly is a rare film that can show us this with monsters and robots.
The film balances two main geographic areas, South Korea and the US, the juxtaposition between a large city, Seoul as well as the small town Gloria has come home to in the US are pivotal as the film unfolds. What is great is that these locales become instrumental within the narrative that will become clear in the denouement.
Nacho Vigalondo at his stage of his career knows the horror/science-fiction genre extremely well having spent most of his career surrounded by it. This is no bad thing and definitely not a knock on him or his obvious talents. It seems like this needed a special director to take hold of the plot through the what becomes a unique narrative to not only show us why things happen as well as the motivations of the characters. There is a slight hole in the plot at one point but what is cool is that the chapters talk about this hole- what fun.
This is a small budget (compared to other monster films) movie; it has parallels to the great micro budget movie “Monsters” (2010) directed by Gareth Edwards who coincidently directed the big budget version of “Godzilla” (2014). It is about a relationship or relationships that are under pressure from outsize forces. The other element they have in common are their female characters that have issues and are not defined by their gender. In “Colossal” Gloria is an alcoholic who is not defined by a man, who has agency to control her own destiny, in fact what she lacks is not strength but a purpose – something many people male or female can identify with.Like the monster for part of the film she stumbles though life destroying most things in her life until some self awareness takes place – just wonderful.
As I have said Anne Hathaway as the star of the film is fantastic but the supporting cast that rounds out the film is terrific as well. Particularly Jason Sudeikis who for the most part of his career has played a wise cracking sidekick, he has been pretty reliable as well as likeable in everything he has been in, here is playing someone quite different – believe it or not that can be quite jarring but actually fits within the film extremely well. The other two standouts are Dan Stevens as the boyfriends who dumps Gloria, he (as an actor) is starting to gain momentum in his career after the huge success of “Beauty and the Beast” (2017) as well as critical success from televisions “Legion” (2017). And then there is the always-reliable Tim Blake Nelson who like so many of his talented contemporaries has become the classic character actor, always reliable in big movies with big moments. It can never be underestimated how important great character actors can be in movies, think about any big budget or high profile films, then think about the actor that steals that movie even for short amounts of time.
Now some people may find this movie underwhelming after seeing the trailers but I loved this movie from the get go. All of the actors are perfectly suited to this small town drama with huge ambition as well as the fact that we get to see a larger world that impacts all the lives of those involved. I recommend this unique film highly, it oozes charm and heart, and while watching it you may be move to think of your childhood and where you have ended up.
“The Passage – Episode Four – Whose blood is that?” (2019)
Ten Episodes
Created by: Liz Heldens based on the novels written by Justin Cronin
Featuring: Mark-Paul Gosselaar, Saniyya Sidney, Vincent Piazza, Brianne Howey McKinley Belcher III, Jamie McShane, Caroline Chikezie, Emmanuelle Chriqui
Fanning: “Don’t let it happen to me!”
The third episode has arrived of the show based on the excellent adult trilogy ‘The Passage’ by Justin Cronin that charts the world as it passes from a pre apocalyptic period through to an ante period through to the post part which takes place over a one thousand year time period.
The general plot of the “The Passage” (2019) focuses on Project Noah, a secret medical facility where scientists are experimenting with a dangerous virus that could lead to the cure for all disease, but also carries the potential to wipe out the human race. When a young girl, Amy Bellafonte, is chosen to be a test subject, Federal Agent Brad Wolgast is the man who is tasked with bringing her to Project Noah. Ultimately, however, Wolgast becomes her surrogate father, as he tries to protect her at any cost.
The problems once again stem from the fact that that the people behind the series have ignored what was great about the initial novel, ‘The Passage’. That is the pacing as well as the offering back stories to only the really important characters, not only that there were revelations about the other subordinate characters made throughout the novels which built up tension. Here there are revelations made whenever new characters are introduced which dulls the impact of the action that is taking place. This week we get a ponderous as well as pointless backstory to one one of the infected, this time Shauna Babcock who has a thing for one of the guards. One of the great aspects that set it apart from other vampire series or movies was that in the end the vampires were treated like an infection they spread out with no personalizes, no motivations just causing infections and death.
There are also elements within the narrative that make no sense like Wolgast who at one point does not know what is going on with the experiments but all of a sudden knows that sunlight will kill in the infected. Other elements that are jarring are the fact that whenever knowledge needs to be passed on it is by the right person at the right time. So one character is curious about something then just in the nick of time another character will give a satisfying answer. We also have one of the most overused and essentially an artificial way to build tension and that is keeping information or a secret away from others when in fact they should know what is going on. We also see a pattern emerging at the end of each episode there is a jarring cliffhanger of sorts which make no sense as we already have that information from earlier episodes. An example of that is Wolgast dreaming about Fanning talking to him, then Fanning revealing a scary face which not only happens to another character earlier in episode two but is just repetitive from an explanation of Fanning in an earlier scene. We also see a character return from a shootout where she looked dead and now has no mark on her, although when we see her she is in bed, I though bullets caused more damage than that? The show is full of jumps in storyline or just pretending actions did not happen in previous episodes – it is very confusing.
At this stage the brightest part of the series is still Saniyya Sidney, she shines above all others as Amy, the main character in both novels and series. At this early stage it does seem she might be better than the character that has been written for her, the reasons for her being, the relationship with her mother, the other worldliness of her actual being, the reason she is wanted, her actual attractiveness to Wolgast and finally why the story is centred around her.
The third episode is a minor improvement over the first and second ones which was needed but this is still a disappointing series so far. The pacing of the series so far is all off completely, there is no sense of how much time has passed from episode one, not only that attempting to give show scope by having endless flashbacks as well as introducing characters that are there just to create plot points is needless such as a reporter and once again Wolgast’s wife who at one point says he is having a baby with another man now seems like a conspiracy theorist. Unless there are some real improvements this will be an extreme chore to watch over the coming weeks.
Episode Three – “That should have never happened to you”
Directed by: Jason Ensler
Written by: Liz Heldens
Brad makes a deal with Sykes and Richards to stay with Amy at Project NOAH as they begin testing the virus on her, then forms an alliance when he discovers the truth about the state of the inmates in 4B; Babcock sheds light on her past.
Featuring: Charlie Sheen, Selma Blair, Shawnee Smith, Daniela Bobadilla, Noureen DeWulf, Michael Arden, Derek Richardson, Barry Corbin, Brian Austin Green and Laura Bell Bundy
Sean:“I don’t know what’s going on here, but I am totally on Jen’s side.”
“Anger Management” is a television sitcom that aired from 2012 to 2014. The show stars Charlie Sheen as a former baseball player turned anger management therapist named Charlie Goodson.
The premise of the show is that Charlie Goodson has anger issues of his own, which he is trying to work through while helping his patients manage their own anger. Each episode features a different patient with a unique set of anger issues, and the show often uses humor to explore the challenges and frustrations of dealing with anger.
The show received mixed reviews from critics, with some praising Charlie Sheen’s performance and the show’s humor, while others criticized it for being too formulaic and predictable. However, despite the mixed reviews, the show was popular with audiences and lasted for two seasons.
Overall, “Anger Management” is an entertaining sitcom that uses humor to explore the serious topic of anger management. While it may not be for everyone, fans of Charlie Sheen and sitcoms in general may find it worth checking out.
One of the main strengths of the show is the chemistry between the cast members. Charlie Sheen’s portrayal of the flawed and impulsive Charlie Goodson is both humorous and relatable, and his interactions with his patients and colleagues are often the highlight of the show. The supporting cast, including Selma Blair as Charlie’s therapist and Shawnee Smith as his ex-wife, also bring a lot of humor and depth to their respective roles.
Another notable aspect of the show is its use of guest stars. Each episode features a new patient with a unique set of anger issues, and many of these characters are played by well-known actors such as Brian Austin Green, Lindsay Lohan, and Denise Richards. This adds an extra layer of interest and excitement to the show, as viewers get to see how these different characters interact with Charlie and his colleagues.
However, some critics have criticized the show for being too formulaic and predictable. The episodes often follow a similar structure, with Charlie helping a patient work through their anger issues before ultimately learning a lesson himself. While this structure can be comforting for viewers who enjoy the predictability of sitcoms, it can also be seen as repetitive and unoriginal.
Overall, “Anger Management” is an enjoyable sitcom that explores the challenges and frustrations of dealing with anger in a humorous and relatable way. While it may not be groundbreaking or particularly innovative, it is a solid addition to the genre and worth checking out for fans of Charlie Sheen and sitcoms in general.
Episodes
Series One
Charlie Goes Back to Therapy: After nearly getting into a fight with his ex-wife’s new boyfriend, Charlie, an ex ball player turned professional therapist, decides that he needs therapy himself.
Charlie and the Slumpbuster: Charlie creates more problems for himself when he tries to spare the feelings of a former “slumpbuster” from his baseball days who has tracked him down.
Charlie Tries Sleep Deprivation: Charlie conducts a sleep deprivation experiment on his group, which yields some very surprising results for everyone–including Charlie.
Charlie and Kate Battle Over a Patient: A long-standing rivalry over who’s a better therapist leads to war when Kate steals Patrick, one of Charlie’s group patients.
Charlie Tries to Prove Therapy Is Legit: Charlie wants to “date” his ex’s cute, new business partner. She believes in ghosts but not in therapy.
Charlie Dates Kate’s Patient: Charlie finds out that the woman he’s dating is Kate’s patient, but he has sex with her anyway. Meanwhile, he encourages his therapy group to call each other when facing moments of weakness.
Charlie’s Patient Gets Out of Jail: Charlie is alarmed when one of his patients from his prison group is released and then becomes involved with his ex-wife Jennifer.
Charlie Outs a Patient: Charlie’s habit of meddling in his patients’ personal lives backfires when he tries to help Nolan out with his girlfriend.
Charlie’s Dad Visits: Charlie gets an unexpected visit from his hyper-critical, bullying father, who tells him he is moving to town to be closer to him; in the therapy group, Charlie attempts to help Lacey with road rage.
Charlie Gets Romantic: Kate is worried that Charlie is becoming attached to her, Charlie and Jennifer think their daughter Sam is a lesbian, and Charlie tries to celebrate a breakthrough with his anger therapy group.
Series Two
Charlie Loses it at a Baby Shower: Charlie and Kate go to Charlie’s sister’s baby shower even though he hasn’t seen her for ten years, and the group is convinced that Ed’s daughter is a lesbian.
Charlie’s Dad Starts to Lose It: Charlie is convinced that his dad is faking Alzheimer’s, and Nolan has a breakthrough with Patrick’s help.
Charlie and the Ex-Patient: Charlie is interested in dating a sexy ex-patient after the five-year mandatory waiting period runs out, but he soon finds out that some of her other former therapists have the same idea.
Charlie’s Dad Breaks Bad: Charlie comes down hard on his dad after he turns out to be a bad influence on his new friends. Meanwhile, Lacey helps Patrick out with an old high school bully.
Charlie & Jen Together Again: Kate becomes jealous when Jennifer stays with Charlie for a few days.
Charlie and Deception Therapy: Charlie decides to engage in deception therapy to help Ed deal with his anger issues, and Jennifer asks Charlie to hang out with Kate.
Charlie Dates a Teacher: Charlie dates his daughter’s teacher.
Charlie & Cee Lo: Charlie runs into problems after Cee Lo Green hires him as his personal therapist, and things unexpectedly heat up when Lacey hires Nolan to be her photographer.
Charlie Is an Expert Witness: Charlie and Kate are opposing expert witnesses in a trial, and Charlie gives Nolan homework to get in touch with his feelings.
Charlie & Catholicism: Charlie’s dad puts pressure on him to have Sam baptized in the Catholic Church.
Charlie Dates Crazy, Sexy, Angry: Kate becomes jealous when Charlie starts dating his crazy ex, Lori. Meanwhile, the support group tries to find a rich boyfriend for Lacey.
Charlie Gets Lindsay Lohan Into Trouble: Lindsay Lohan hires Charlie to be her anger management therapist on the set of a commercial, but Charlie winds up sleeping with her and gets her in trouble after the paparazzi get a hold of it.
Charlie and Lacey Piss Off the Neighborhood: Charlie may be forced to move the therapy group out of his house after Lacey gets into a fight with one of his neighbors, while Kate goes with Jennifer to help find a dress for Sam.
Charlie and Kate Horse Around: After Sam finds out her favorite horse is in equine therapy, Charlie has an idea for a bonding experience for his therapy group.
Charlie’s Patients Hook Up: Two patients in Charlie’s group get involved in a romantic relationship.
Charlie and Kate’s Dirty Pictures: Charlie gets Nolan a job with Kate, and uses him to spy on her when Nolan discovers an envelope with dirty pictures in it. Meanwhile, Charlie has a support group created in prison for Lacey.
Charlie Lets Kate Take Charge: Problems arise when Charlie and his dad coach a baseball team together, and Kate takes over Charlie’s group during his coaching gig.
Charlie and the Break-Up Coach: Jennifer competes with Charlie when she becomes Patrick’s “life coach,” and Lacey helps Charlie’s dad get a Facebook account.
Charlie, Kate and Jen Get Romantic: Charlie’s dad interferes with Charlie’s relationship with Kate to get him back together with Jennifer, and Nolan helps Ed as his “anger buddy.”
Charlie Breaks Up with Kate: Charlie deals with Kate breaking up with him and Jennifer getting back together with her ex-boyfriend Sean. Meanwhile, Charlie’s group volunteers at a soup kitchen.
Charlie and His New Therapist: Charlie sees a new therapist to deal with new anger issues with Kate, which may open up a new set of issues for Charlie. Meanwhile, the support group plays a trick on Ed for his cruelty.
Charlie and Kate Start a Sex Study: Charlie and Kate begin work on a sex study. Meanwhile, Lacey starts a new job.
Charlie & the Secret Gigolo: A judge orders Sean to Charlie’s therapy group after he gets in trouble with the law, and Ed convinces Patrick to buy a television.
Charlie and His New Friend with Benefits: After his breakup with Kate, Charlie finds a woman who is satisfied with just being “friends with benefits,” but is she really being completely honest with herself and with Charlie?
Charlie and the Airport Sext: Charlie takes his group on a trip to Lake Tahoe to celebrate a milestone in their therapy, but he returns home early after he receives a text message from Kate.
Charlie and the Hot Nerd: When Charlie begins dating a woman he meets on a technical support call, her nerdy ex finds a way to make Charlie’s life Hell.
Charlie Dates a Serial Killer’s Sister: Charlie begins dating a woman, not knowing that her brother is a serial killer from his prison support group.
Charlie and the Cheating Patient: Charlie suspects Jen’s boyfriend is cheating on her with one of his patients. Ed and Patrick help Nolan after his apartment gets robbed.
Charlie and the Virgin: Charlie goes behind Kate’s back and pretends to be a sex surrogate for her 32 year old virgin patient, and Jennifer gets upset when Sam gets a tattoo.
Charlie and the Hit and Run: Charlie has to deal with the aftermath when his father moves in with his patient, and they hit someone with their car. Lacey takes Nolan out to a club.
Charlie Kills His Ex’s Sex Life: Charlie becomes jealous of Jennifer’s new boyfriend. Meanwhile, Patrick helps Lacey prepare for a modeling gig.
Charlie and the Prison Riot: There’s a riot at the prison and Charlie is held hostage. Nolan, Lacey and Ed throw Patrick a birthday party.
Charlie and Kate Do It for Money: After Charlie and Kate lose funding for their study, Charlie may have to make a big sacrifice to get new funding. Meanwhile, Nolan’s new online girlfriend turns out to be 10 years old.
Charlie and the Sting: Charlie intervenes in Kate’s sex life. Meanwhile, Martin offers relationship advice to Lacey.
Charlie Gets the Party Started: Charlie and Sean plan an epic party. Meanwhile, Lacey accidentally gets Ed addicted to drugs.
Charlie and the Grad Student: Charlie and Nolan compete for a woman’s attention. Meanwhile, Martin and Ed hatch a scam.
Charlie’s New Sex Study Partner: Charlie hires a psychologist to replace Kate in his sex study. Meanwhile, Jennifer and Lacey prank Sean.
Charlie and the Sex Addict: Charlie hits on Jordan’s A.A. sponsor when he discovers that she is a recovering sex addict, and Ed helps Patrick design an outfit for a full-figured woman.
Charlie and the Hooker: A pimp joins Charlie’s therapy group, and he pays for his services with one of his escorts’ services.
Charlie and the Devil: A new patient in Charlie’s group claims to be the Devil, and Nolan sells his soul to him to get Lacey to love him. Jennifer and Sam take an interest in their new neighbors, and Martin tries to get Charlie back to church.
Charlie and Sean and the Battle of the Exes: Sean is jealous when Charlie keeps sleeping with Jen after he tells Charlie that he wants her back, so he looks to get revenge. Meanwhile, the therapy group helps to make Patrick unattractive so that he can find a new man.
Charlie Helps Lacey Stay Rich: Charlie suggests that Lacey and Patrick pretend to date in order for her to get her inheritance.
Charlie Loses His Virginity Again: Charlie asks for a second chance with the woman to whom he lost his virginity, and Lacey and Patrick try to keep up appearances when Lacey’s parents pay a surprise visit.
Charlie Does It for Science: A problem arises when Charlie sleeps with a reporter who is writing an article about the sex study, while Lacey tries to take advantage of Nolan’s lingerie store employee discount.
Charlie and Lacey Shack Up: Lacey is sentenced to house arrest at Charlie’s house, and Sean tries to help Michael pick up women.
Charlie and the Christmas Hooker: Charlie’s Christmas plans are put on hold when Ed steals a baby Jesus from a Nativity display, and Sean hits on Jordan on Christmas Eve.
Charlie and the Pajama Intervention: A drunken binge gets Charlie in jail and an appearance before the Ethics Committee, and his therapy group searches for a new therapist to replace him.
Charlie Sets Jordan Up with a Serial Killer: Charlie convinces Jordan to pose as the fiancée of a member of his prison group, and Lacey and Patrick gamble away part of Lacey’s parents’ money.
Charlie and the Twins: Charlie sleeps with Jordan’s twin sister.
Charlie and Sean Fight Over a Girl: Charlie and Sean fight over one of Patrick’s friends, and Patrick agrees to sing a song with Jordan at one of her A.A. meetings.
Charlie and the Last Temptation of Eugenio: Charlie tries to use Jennifer to play a trick an old friend who has become a priest, and another man could ruin Lacey and Patrick’s sham wedding plans.
Charlie and the Hot Latina: Charlie begins dating an El Salvadoran woman whose family wants Martin and Ed evicted from their apartment, and Sean offers to help Jordan with her research.
Charlie and His Probation Officer’s Daughter: Charlie’s license could be in jeopardy when he sleeps with the wrong secretary, and Nolan helps Lacey get rid of a mouse.
Charlie Gets Date Rated: Charlie becomes interested in a woman who won’t date him until he has an online date rating, and Ed helps Nolan ride a bike so that he can date Nolan’s mom.
Charlie and Jordan Go to Prison: Charlie splits up with Jordan when she blows a chance to get their research published, and Lacey unknowingly moves into an apartment next door to Nolan.
Charlie and the Re-Virginized Hooker: Jordan has a plan to keep Charlie and Sasha from constantly sleeping with each other, and the guys in the support group give Lacey’s apartment a makeover.
Charlie Catches Jordan in the Act: Jordan’s actions with one of her subjects puts Charlie’s prison study in jeopardy, and Sean helps Patrick make an audition video for a designer reality show.
Charlie Spends the Night with Lacey: How far will Charlie go to keep Lacey from ruining her ex’s wedding? Meanwhile, Jordan makes a big mistake while taking care of Sean while he is sick.
Charlie Screws a Prisoner’s Girlfriend: Charlie sleeps with the girlfriend of a violent prisoner in his clinic, only to find out that the prisoner is being released the next day.
Charlie Cops a Feel: When Charlie breaks it off with a police officer he’s been dating, she abuses her power to make his life miserable. Meanwhile, Jordan struggles to establish a casual sex relationship with Sean.
Charlie, Lacey & the Dangerous Plumber: Charlie reluctantly hires an ex-con from his study as his plumber, who immediately takes an interest in Lacey. Meanwhile, Patrick looks for a way to avoid being the bad guy on his reality show.
Charlie and the Mother of All Sessions: Charlie surprises his group by bringing all of their dysfunctional parents to one of the sessions.
Charlie and Sean’s Twisted Sister: Sean tells Charlie not to have sex with his visiting sister, and Patrick and Lacey discover that they are dating the same man.
Charlie Has a Threesome: Problems arise after Charlie has a threesome with his girlfriend and one of her friends, and Lacey uses Jordan’s help to try and sell her eggs.
Charlie and the Lap Dance of Doom: After Charlie’s big mouth gets Sean fired from his job at the strip club, he tries to get his job back without Sean knowing he got him fired.
Charlie Tests His Will Power: Charlie plans to get some publicity for helping a man being released from prison 50 years after being wrongly convicted, and Jordan and Sean are worried about their arrangement getting more serious.
Charlie and the Psychic Therapist: Charlie and Jordan pose as an unhappy married couple to catch a therapist who scammed Ed, and Nolan discovers that the African child he sponsored is all grown up and more successful than him.
Charlie Gets Between Sean and Jordan: Charlie asks Sean to date a woman to help him and Jordan get a keynote speaker gig, which upsets Jordan when she finds out. Meanwhile, Lacey pretends to be in a coma in her latest scam to make money.
Charlie Does Time with the Hot Warden: The sexy new warden wants to cut Charlie and Jordan’s prison therapy group, so Charlie tries to change her mind. Meanwhile, Nolan’s new limo driver job puts him in an awkward situation with Lacey.
Charlie & the Warden’s Dirty Secret: Charlie inadvertently helps a member of his prison group in an escape attempt.
Charlie and the Temper of Doom: Charlie’s temper gets him suspended from his practice, and Jordan and Sean take advantage of the situation to play some pranks on him.
Charlie Gets Trashed: Charlie looks for revenge after fighting with the garbage man, and Nolan and Lacey compete for the same job.
Charlie and the Case of the Curious Hottie: Charlie and Sean discover that a private investigator is following them, and Nolan and Lacey move into Nolan’s work limo.
Charlie Pledges a Sorority Sister: Jordan tricks Charlie into sleeping with her sorority sister, and Patrick sees an opportunity when Lacey begins dating a record producer.
Charlie Plays Hide and Go Cheat: Charlie begins dating a private investigator, who challenges him to try and cheat on her without her realizing. Meanwhile, Lacey works as a nude model for Patrick’s art class, causing Nolan to take a sudden interest in art.
Charlie and the Revenge of the Hot Nerd: Charlie begins dating his computer nerd ex girlfriend again, who then hacks into his computer and takes over his life. Meanwhile, Lacey launches a plan with Patrick to trick her rival into having sex with Ed.
Charlie and the Curse of the Flying Fist: Charlie helps Nolan confront his bullies but creates a monster, and Sean and Jordan try to use role-playing to spice up their love life.
Charlie and the Houseful of Hookers: Charlie lets his girlfriend turn his house temporarily into a halfway house for hookers, and Jennifer starts a new business selling used tea kettles online.
Charlie Gets Patrick High: Charlie tries to help Patrick through a crisis of confidence by getting him stoned, and Ed and Lacey try to join forces to find a way to get revenge on Sean.
Charlie and Lacey Go for Broke: When Charlie tricks Lacey into believing her father is broke, she gets engaged to an obnoxious billionaire. Meanwhile Nolan makes a business arrangement with Sean’s strip club.
Charlie & the Terrible, Horrible, No Good Very Bad Thanksgiving: Charlie tries to surprise Ed by inviting his wife to Thanksgiving dinner, but Ed shows up with his new girlfriend. Meanwhile, Jordan causes a scene at dinner because she suspects that Sean is cheating on her.
Charlie Rolls the Dice in Vegas: After a night of partying in Vegas, Charlie discovers that he got married to Sasha. Meanwhile, Lacey doesn’t understand why Nolan won’t have sex with her now that they’re together.
Charlie & the Return of the Danger Girl: Charlie needs to learn how to skydive to satisfy his thrill-seeking girlfriend, and Lacey and Patrick go into business together designing women’s shoes.
Charlie Gets in Bed with Jordan’s Ex: Charlie wants to make a business deal with Jordan’s ex-husband, but he knows Jordan won’t go along if she knows the identity of the business partner. Meanwhile, Lacey gets jealous when Nolan tries to save a family of birds.
Charlie’s Living the Dream: Charlie tries to get out of a wild dream so that he isn’t late to officiate Ed and his wife’s renewal of their wedding vows. Meanwhile at the prison, Wayne convinces Jordan that Cleo and Ernesto are conspiring against her.
Charlie Meets His Match: A matchmaker sets up Charlie and Sean for a double date, but they each wind up with the wrong woman. Meanwhile, Jordan gets the lead in the prison production of “Romeo and Juliet.”
Charlie and the Epic Relationship Fail: Charlie tries to encourage Nolan to take charge to take charge of his life to improve his relationship with Lacey, but gets him fired from his job. Meanwhile, Ed and his friends con Sean out of his money in a card game.
Charlie Gets Tied Up with a Catholic Girl: Martin tells Charlie to stay away from his new girlfriend’s sexy daughter, and Lacey pretends to be pregnant to get her grandmother’s inheritance.
Charlie and the Sexy Swing Vote: Charlie wants to fire his new associate because she always sides with Jordan, and Nolan gives up smoking pot to impress Lacey’s parents.
Charlie & the 100th Episode: Charlie has to make a decision between keeping his group and being a sports psychologist for a baseball team.
Created by: Jez Butterworth, Tom Butterworth and James Richardson
Featuring: Kelly Reilly, David Morrissey, Zoë Wanamaker, Mackenzie Crook, Nikolaj Lie Kaas and Eleanor Worthington Cox
“When I look over my shoulder (what happens then?) What do you think I see? (Mm) Some other cat looking over (shadoop, shadoop) Over his shoulder at me” – Season of the Witch, Donovan
Released recently on DVD is the third season of the English show “Britannia” (2017-present) set in AD45, the first season received mixed reviews so it is surprising that a second season went ahead. It could come down to the fact that there are a surprising amount of A list television actors appearing in it.
The series follows the Roman conquest of Britain. Celtic rivals Kerra and Antedia must work together to fight off the Roman invasion led by Aulus Plautius.
The show is shot largely on location (in England, Wales and the Czech Republic) and makes decent use of the verdant countryside, but Sky’s budget is a fraction of HBO’s and there are no CGI-enhanced vistas to provide a sense of scale. Equally, for a story about conquest, battles are few and far between, and largely limited to feeble pushing and shoving in the woods.
“Britannia” does have an unusual tone it veers from odd to serious to sometimes funny but the series is not one long joke. There is a use of popular music throughout which sets an odd tone but it can suit scenes that those songs appear over. None of this really matters of course as like some other shows this show is something that audiences just go with, don’t think too hard and everything will be alright.
In the third series of Britannia, we see the Romans struggle to maintain their hold on the island of Britain, as they face opposition from various Celtic tribes. The series also explores the personal conflicts within the Roman army, as well as the internal struggles within the Celtic tribes.
One of the highlights of the third season is the introduction of new characters, including Amena, a powerful Druidic leader, and Emperor Claudius, who arrives in Britain to assess the progress of the Roman campaign. These characters add new layers of complexity to the show’s narrative and provide fresh perspectives on the ongoing conflict.
However, some critics argue that the third series of Britannia suffers from a lack of character development. Many of the characters feel underdeveloped, and their motivations are often unclear. Additionally, the show’s plot can be confusing at times, which may make it difficult for viewers to fully engage with the story.
Despite these criticisms, Britannia remains an entertaining and unique series that combines historical drama with elements of fantasy. If you enjoyed the first two seasons of the show, the third season is definitely worth watching to see how the story continues to unfold.
Episodes
The Return of the Chosen One: Aulus has built himself a smart villa overlooking the new town of Verulamium. But underneath, Druids and Celtic tribes still resist power.
The Moon Tree: Aulus struggles to remain in control now that Hemple is on the scene. The Druids are splintered by the betrayal of the Chosen One.
War Chest: Aulus hears Widicus’s concerns about the behaviour of the new arrivals. Cait and Antedia continue their partnership.
The Big Vision: Aulus returns from his trip to the Underworld. Willa reveals that if Cait secures the Spear of The Silver Dawn then the tribes will be united.
Hemple’s Machinations: Cait and her band of travellers strike a deal with Hella. Still under Hemple’s hex, Ania returns and leads the gang on a dangerous path.
A Precious Asset: Cait is shocked by the revelation that a traitor is in their midst. Hemple, still with Amena at the Villa, plans another feast to satisfy Lokka’s hunger.
The Viaduct: Cait and her band continue their quest to reach Lucius because of his knowledge of the Spear. Hemple is furious that Veran seems to have got the better of her.
Vae Victis: Still searching for Lucius and his knowledge of the Spear, Cait takes the fight to the redoubt, and to all those who are waiting for her.
HBO has premiered the trailer for the season finale of “The Last of Us” which airs next Sunday, March 12th at 9pm US-ET. The ninth and final episode adapts the entire Salt Lake City-set ‘Spring’ portion of the game and sees the return of Merle Dandridge as Marlene.
Though spread over three levels, it’s actually the shortest section of the game with the third of those levels being a short cutscene and the first being mostly a tunnel action sequence likely to be excised completely.
What remains in the series are crucial in regards to what will be the second season’s narrative. Whereas the just-aired eighth chapter adapted the ‘Winter’ section of the game which is its darkest chapter, the ‘Spring’ section is morally ambiguous and was a little controversial at the time.
Featuring: Eric McCormack, MacKenzie Porter, Nesta Cooper, Jared Abrahamson, Reilly Dolman and Patrick Gilmore
Grant MacLaren:“I’m Not Gonna Sit Here And Pretend To Know What Makes Us Who We Are. But I Gotta Figure It’s More Than Just The Sum Of What We Remember.”
Released recently on DVD is the science fiction television series “Travelers: Season 1 – 3” (2016 – 2018) which followed a group of time travelers from a dystopian future who travel back in time to the present day in order to change events that will lead to the downfall of humanity.
“Travelers: Season 1 – 3” was a science fiction television series that aired on Showcase in Canada and on Netflix internationally. The show follows a group of time travelers from a dystopian future who travel back in time to the present day in order to change events that will lead to the downfall of humanity. The series was created by Brad Wright and stars Eric McCormack, MacKenzie Porter, Nesta Cooper, Jared Abrahamson, and Reilly Dolman.
One of the strengths of “Travelers” is its unique premise. The idea of a group of time travelers working to change the future is not a new concept, but the way that “Travelers” executes it is fresh and engaging. The show does a good job of slowly unraveling the backstory of the characters and the world they come from, keeping the audience engaged and interested in the larger story.
The characters are also a strong point of the show. Each character has a distinct personality and backstory, and the actors do a great job of bringing them to life. Eric McCormack, in particular, gives a standout performance as the team leader, FBI agent Grant MacLaren.
Another aspect of “Travelers” that is worth noting is the way it explores ethical dilemmas and the consequences of altering the past. The show often raises questions about the morality of changing events to achieve a better future and the potential unintended consequences of doing so.
The relationships between the characters are also a highlight of the show. As the team works together to complete their missions, they form strong bonds with each other, and their camaraderie and loyalty are central to the show’s emotional core.
One of the criticisms of the show is that it was cancelled after three seasons, leaving some storylines unresolved. However, the series finale does provide a satisfying conclusion to the main story arc while still leaving room for further exploration.
Overall, “Travelers” is a well-written and well-acted science fiction series that explores interesting themes and concepts. While it may not be for everyone, it is definitely worth a watch for fans of the genre who are looking for a thought-provoking and engaging show.
The show also has impressive production values, with well-done special effects and a polished visual style. The action sequences are well choreographed and exciting to watch. One potential downside to the show is that it can be slow at times, with a lot of exposition and character development. Additionally, some of the time travel mechanics can be confusing, and the show can sometimes feel bogged down by its own rules. Overall, “Travelers” is an engaging and well-executed science fiction series with a unique premise and strong characters. It’s definitely worth a watch for fans of the genre.
Episodes
Season One
Travelers: Travelers from our future return to our time to try to correct the terrible problems that face humanity in their own time.
Protocol 6: The team’s first mission goes terribly wrong when a fatal mistake leaves them holding a ticking time bomb.
Aleksander: One of the travelers struggles with being unable to stop future events.
Hall: The team meets another team and faces with a conflict.
Room 101: Marcy, Carly, Trever and Philip are abducted and interrogated by an unseen captor.
Helios 685: The Travelers try to fulfill their main mission and protect the world from a destructive disaster.
Protocol 5: The travelers are not sure they’ve fulfilled their mission because they are still in the 21st century. Now they are facing an unexpected problem: the anxiety of being trapped in someone else’s life.
Donner: The Travelers face multiple complications in their professional life and their personal ones.
Bishop: MacLaren is kept on a tight leash after the Director orders an assassination. The other team members assemble after learning their leader is in grave danger.
Kathryn: The team tries to save Grant as Forbes and Kathryn search for him.
Marcy: Trevor tries to save his teacher, while the rest of the team try to save Marcy.
Grace: A murderous traveler arrives at the present and reveals the truth about a disquieting division between belligerent factions that is occurring in the future.
Season Two
Ave Machina: Grant MacLaren and his team find themselves in FBI custody with no means of escape, while a mysterious new traveler reveals secrets to his psychiatrist.
Protocol 4: Philip makes an unexpected connection, Marcy helps David cope with his trauma, and MacLaren discovers a shocking truth that Kathryn has been hiding from him.
Jacob: After tracking down a missing traveler, the team is led to some disturbing answers about their kidnapping.
11:27: MacLaren and the team must help a fellow traveler plan his own assassination, while helping an unsuspecting activist complete a deadly mission.
Jenny: A deadly epidemic affects traveler teams around the world.
U235: With the unknown virus rapidly spreading, the team is left with only one option in order to save The Director hundreds of years in the future.
17 Minutes: When 3468’s team fails the mission of rescuing essential technology for the future, the Director sends additional Travelers to assist the team and complete the mission, putting Protocol Alpha in motion.
Traveler 0027: After receiving an unusual message to attend a court proceeding, the travelers find that one of their own is on trial for conspiring against The Director and interrupting the Grand Plan.
Update: Philip’s timeline gets an update with some undesired side effects; Trevor makes a disturbing discovery about his host’s past; MacLaren deals with the return of a traveler he thought had gone away for good.
21C: Marcy attempts a procedure to recover her memories and gets more than she bargained for. The Travelers protect a little girl who is very important to the future. The MacLarens continue to mourn the passing of their unborn child.
Simon: The past of Simon and Vincent Ingram.
001: In an evasive effort to protect himself and his son, Traveler 001 puts a plan into play that threatens to expose the Travelers.
Season Three
Ilsa: The third season of Travelers finds Grant MacLaren and his team of highly-trained operatives from the future pushed to the limit and dealing with themes of loyalty, trust, death, and the ever-growing power of Artificial Intelligence.
Yates: MacLaren and Yates adjust to their new partnership while protecting a TV show host whose inflammatory rhetoric about Travelers has led to tragedy.
Protocol 3: Certain that his team erased his memory of the previous day, MacLaren retraces his steps in the case of a disturbed youth with a horrific future.
Perrow: The team learns that Traveler 001 is still alive when the Faction tries to capture him. Doubts about their loved ones worsen for Kat, Jeff and David.
Naomi: The team attempts to extract a rogue A.I. from a child messenger, but the program expands too rapidly. A new Traveler adjusts to his host.
Philip: The Faction kidnaps Philip and a group of other historians, forcing MacLaren and the team to extract their location from a critically injured Hall.
Trevor: Suffering from a fatal brain disorder, Trevor makes the choice to allow himself to be overwritten as the team races to invent an experimental cure.
Archive: MacLaren urges Yates to help him when a Traveler with a mission vital to humanity’s survival arrives in the body of a just-captured serial killer.
David: The Faction sets off nuclear blasts that destroy all of the Travelers’ archives, except the one in which a wounded David just happens to be trapped.
Protocol Omega: Shattered by recent losses and a sweeping new protocol, the Travelers face a bleak future with only one long-shot chance to succeed in their mission.
Featuring: David Strathairn, Ryan Cartwright, Warren Christie, Azita Ghanizada, Laura Mennell, Malik Yoba and Erin Way
Trey Lockerbie: [singing] “Don’t take “no” for an answer / ‘nd there’s no telling where we’ve been… / ‘Cause people don’t understand, understand, understand / People don’t understand / People like me.”
“Alphas: Season One and Two” (2003 – 2005) is a science fiction television series that premiered in 2011 and ran for two seasons. The show revolves around a group of individuals known as Alphas, who have extraordinary abilities that are the result of genetic mutations. These abilities range from super strength and enhanced senses to telekinesis and mind control.
The series follows the Alphas as they are brought together by a government agency to work as a team to investigate cases involving other Alphas who are using their abilities for criminal purposes.
Overall, the show received mixed reviews from critics and viewers. While some praised the concept and characters, others criticized the writing and pacing of the series. Despite its cancellation after two seasons, Alphas still has a dedicated fan base who enjoyed the unique approach to the superhero genre.
If you are a fan of science fiction and superhero stories, Alphas may be worth checking out. However, it’s important to keep in mind that the show has been canceled, and its ending may not provide a satisfactory conclusion to the overall story.
Additionally, the cast of Alphas is made up of several recognizable actors, including David Strathairn, Ryan Cartwright, and Warren Christie, who all deliver solid performances throughout the series.
One of the strengths of Alphas is its focus on the individual characters and their personal struggles with their abilities, which sets it apart from other superhero shows. The series also deals with themes of power, morality, and the consequences of using one’s abilities for personal gain.
However, some viewers may find the show’s pacing to be slow, and the overall plot to be too convoluted and confusing at times. Additionally, the special effects used to showcase the Alphas’ abilities are not always up to par with other superhero shows, which may be a turn-off for some viewers.
In conclusion, while Alphas may not be a perfect series, it is still worth checking out for fans of the superhero genre who are looking for something different. The unique concept and focus on character development make it stand out from other shows in the genre, and its short run of two seasons means it can easily be binged in a weekend.
In recent years, the term “alphas” has gained popularity in the world of television. Alphas refer to individuals who possess extraordinary abilities, usually in the realm of superhuman powers, and are often portrayed as the heroes or anti-heroes of their respective television series. The concept of alphas in TV shows has been around for quite some time, but it has gained significant attention in recent years due to the popularity of shows like “Heroes,” “The Gifted,” and “The Umbrella Academy.” In this essay, we will delve into the world of alphas in TV, exploring what they are, why they have become so popular, and what this trend says about society as a whole.
Alphas are a relatively recent concept in the world of television. While there have been shows in the past that have featured individuals with special abilities, such as “The Six Million Dollar Man” and “The Bionic Woman,” these shows were relatively rare and did not attract the same level of attention that modern-day shows do. The modern-day concept of alphas can be traced back to the popular NBC show “Heroes,” which premiered in 2006. The show followed a group of individuals who discovered that they possessed special abilities, such as super strength, telekinesis, and the ability to fly. The show was a massive hit, and it spawned a host of imitators, including “The Gifted” and “The Umbrella Academy,” both of which premiered in 2019.
So why have alphas become so popular in television? One reason may be that they tap into our desire for power and control. Many of us feel powerless in our daily lives, whether it be due to work, family, or other obligations. Watching characters who possess extraordinary abilities and can bend the world to their will can be a cathartic experience, allowing us to live vicariously through their experiences. Additionally, alphas often represent the ultimate expression of individuality and uniqueness, qualities that many of us aspire to but may struggle to achieve in our own lives.
Another reason why alphas have become so popular in television is that they tap into our fascination with the unknown and the supernatural. Many of us are intrigued by the idea that there may be more to the world than what we can see with our own eyes, and alphas represent the ultimate manifestation of this idea. Whether they are mutants, aliens, or simply humans with special abilities, alphas are a reminder that there may be more to the world than what we currently understand.
Finally, the rise of alphas in television may be indicative of a broader societal trend towards individualism and self-expression. In a world where conformity and adherence to social norms are often valued above all else, alphas represent the ultimate expression of individuality and uniqueness. They are able to break free from the constraints of society and live on their own terms, something that many of us aspire to but may struggle to achieve in our own lives.
In conclusion, the rise of alphas in television is a fascinating trend that speaks to a broader societal fascination with power, control, the supernatural, and individualism. While there is certainly no shortage of shows featuring alphas, the trend shows no signs of slowing down any time soon. As long as we continue to be fascinated by the idea of individuals with extraordinary abilities, alphas will likely continue to be a staple of our television screens for years to come.
However, it’s worth noting that the popularity of alphas in television may also have some drawbacks. For example, it can perpetuate the idea that certain individuals are inherently superior to others based on their abilities, which can be a harmful message for society. Additionally, it can create unrealistic expectations for individuals who may feel pressured to achieve superhuman abilities in order to feel validated or accepted by society.
Furthermore, the portrayal of alphas in television can also be problematic if it reinforces stereotypes or fails to represent diverse communities. While some shows have made strides towards including more diverse characters, many still rely on traditional tropes and stereotypes that can be harmful to marginalized communities.
Overall, the rise of alphas in television reflects a broader societal fascination with power, control, and individualism. While there are certainly some potential drawbacks to this trend, it also has the potential to inspire viewers and promote a greater sense of empathy and understanding for individuals who may be perceived as different or unique. As long as writers and creators continue to push the boundaries and explore new ideas, the concept of alphas in television will remain a fascinating and engaging trend.
Episodes
Season One
Pilot: Ominous messages steer a man to a building’s rooftop, where he executes an improbable shooting in the opener of the series following a team of people with extraordinary abilities who investigate crimes linked to others like them.
Cause and Effect: A problematic former patient of Rosen’s escapes as Rosen is getting acquainted with his Department of Defense liaison, and the rest of the team tries to balance their normal lives with their work as Alphas.
Anger Management: The team moves to new offices following the attack on Rosen; violent riots break out on the east coast, which are linked to a runaway teen.
Rosetta: During a raid against Red Flag an unknown Alpha is discovered. Gary bonds heavily with her while the rest of the team tries to define the extent of their enemies reach.
Never Let Me Go: Agent Sullivan (guest star Valerie Cruz) credentials Dr. Rosen (David Strathairn) and his team as members of the Defense Criminal Investigation Service and their first case takes them to Pennsylvania where an outbreak of sudden deaths involving a local high school are suspected to be the work of an Alpha.
Bill and Gary’s Excellent Adventure: Bill and Gary pursue an outside case, putting their Alpha powers to the ultimate test. Featuring guest star Alaina Huffman.
Catch and Release: The alpha team rescues an alpha from a group of hooded thugs, then discover she is a former associate of Dr. Rosen who wants nothing to do with him.
A Short Time in Paradise: Dr, Rosen is forced to challenge his most cherished values when he encounters an alpha leading a personality cult who sincerely wants to create a paradise for all humanity, a dream his alpha ability may make possible. But as members of the alpha group fall under the cult leaders and he refuses to recognize he may be responsible for the illnesses among the cult members Dr. Rosen is forced to act… if he can.
Blind Spot: As the Alpha team attempts to interrogate an alpha doctor, who wants to create more alphas, an invisible alpha attempts to abduct him. Dr. Rosen struggles to determine who is the more dangerous.
The Unusual Suspects: Dr. Rosen’s alpha group is abducted by Nathan because he suspects one of them is a Red Flag conspirator.
Original Sin: Dr. Rosen (David Strathairn) and his team must decide who to trust when Red Flag, led by Stanton Parish (guest star John Pyper-Ferguson), escalates the war on the Department of Defense.
Season Two
Wake Up Call: The alphas rescue Dr. Rosen’s estranged alpha daughter from an assassin. She carries a carefully coded message stolen from Red Flag. But Dr. Rosen suspects it’s a ruse which leads him to take precipitous action.
The Quick and the Dead: On the hunt for a killer with super-speed, our team realizes his search has lead him directly to them, with deadly consequences.
Alpha Dogs: An investigation leads Harken and Hicks to go undercover in a secret, underground Alphas-only Fight Club where they meet “Kat”, an energetic fellow Alpha whose can instantly memorize any physical or mental skill.
When Push Comes to Shove: The Team investigates an Alpha-related crime spree leading to one of their own, who is in the midst of a dangerous emotional breakdown. Our Team races to stop them before they hurt themself or someone else.
Gaslight: A powerful Alpha seems to have lost his mind and is attacking people at a hospital forcing, but as the team tracks him down they each begin to lose touch with reality.
Alphaville: Rosen and his team travel to a remote village of Alphas to ask Skylar Adams to look into the function of the photo stimulator. But Parish has people in the village, and soon the lives of both Skylar and her daughter, Zoe, are in jeopardy.
Gods and Monsters: When Jason Miller returns to school, he uses his newly-enhanced Alpha ability to form a neural network of classmates who bend to his will. Rosen begrudgingly agrees to team up with Stanton Parish to get Jason to release his mind slaves.
Falling: Kat goes undercover to investigate the source of a street drug that makes its user invincible, while Rosen works to confirm his suspicions about Dani’s being an informant for Parish. Meanwhile, Hicks suspects that his son may be an Alpha.
The Devil Will Drag You Under: When Hicks turns defector and beginning working for Parish, Rosen and the team can only wonder: has Hicks truly turned, or is he playing a deeper game involving Dani?
Life After Death: How does one grieve and move on from a terrible loss? Everyone’s process is different. Dani’s shocking death at the hands of Parish leaves Rosen and the team grasping for lifelines.
If Memory Serves: It’s Midnight Run, Alphas-style as Hicks and Kat transport a valuable Parish asset: a babbling, off-his-nuts memory sponge Alpha named Mitchell. Mitchell just might hold the strategic intel they need to stop Parish…if they can outrun and outwit Mitchell’s seemingly indestructible Alpha “caretaker”. Meawhile, Rosen is on his own hunt- for Parish’ Achilles’ Heel, a weak point to strike at. But Senator’s Burton sudden presence in the Alphas office threatens to expose Rosen and Nina’s own Achillles’ Heel.
Need to Know: When Rosen kidnaps and interrogates an Alpha prisoner, the team wonders how far Rosen will go in seeking revenge for the death of his daughter.
God’s Eye: Separated from the team and haunted by vivid hallucinations of his daughter, Dani, an injured and increasingly desperate Doctor Rosen seeks a final confrontation with Alpha leader Stanton Parish.
Featuring: Samantha Spiro, Lindsey Coulson, Diane Parish and Michael McKell
DC Rosie MacManus: [Looking at a picture of the victim’s daughter] “Poor cow! She’s got no one now! DI Vivien Friend: She’ll get used to it.”
Released recently on DVD is the drama “Murder Investigation Team” (2003 – 2005) which was a spinoff of “The Bill” (1984-2010) the police procedural series, like that show “Murder Investigation Team” was filmed in the London Boroughs of Sutton, Merton and Greenwich. Locations included the former Woolwich campus of the University of Greenwich. This series was filmed with the working title Think Murder, and was produced by Tom Cotter. The first episode featured the team investigating the death of one of “The Bill” most popular characters, Sgt. Matthew Boyden, who was killed in a drive-by shooting. Several members of “The Bill” cast also appeared in the episode.
Murder Investigation Team (MIT) was a British police procedural drama television series that aired on ITV from 2003 to 2005. The show revolves around the work of a Metropolitan Police Service (MPS) unit tasked with solving complex murder cases. The series is notable for its focus on the investigative process and the attention to detail given to the forensic evidence in each case. The show also explores the personal lives of the detectives and the impact that their work has on them.
The main character of the series is Detective Inspector Kate Ashurst, played by actress Samantha Spiro. She leads the MIT team, which includes a number of other detectives and forensic specialists. Each episode focuses on a new murder case, and the team works tirelessly to gather evidence, interview suspects and witnesses, and ultimately solve the crime.
One of the strengths of the series is its realism. The cases portrayed on the show are based on real-life murder investigations, and the procedures and techniques used by the detectives and forensic specialists are accurate and detailed. The show also highlights the challenges faced by the detectives as they work to solve each case, such as pressure from the media, the emotional toll of dealing with violent crimes, and the difficulties of balancing work and personal life.
Another notable aspect of the series is its diverse cast of characters. The team includes both male and female detectives, as well as specialists from different backgrounds and cultures. This diversity allows the show to explore different perspectives and approaches to solving crimes.
An aspect of the show that adds to its realism is the use of actual locations around London. The detectives and forensic specialists can be seen investigating crime scenes in busy city streets, parks, and housing estates, which adds to the authenticity of the show. The production design and cinematography also contribute to the overall gritty and realistic tone of the series.
In addition to the murder investigations, the show also explores the personal lives of the characters. Kate Ashurst, in particular, is a complex and compelling character whose dedication to her work often comes at the expense of her personal life. Her struggles to balance her work and family responsibilities add depth to her character and make her more relatable to the audience. The show also explores the relationships between the different members of the team. The detectives and forensic specialists work closely together and form a tight-knit community, but they also have their disagreements and conflicts. This adds to the overall realism of the show and shows that even in high-pressure situations, people are still people and can have differing opinions.
One of the criticisms of the show is that it can be quite graphic in its depiction of violence and crime scenes. Some viewers may find this aspect of the show disturbing or gratuitous. However, it can also be argued that this realism is necessary to fully convey the severity of the crimes being investigated.
Murder Investigation Team is a well-crafted police procedural drama that offers a realistic and detailed portrayal of the investigative process. The attention to detail and focus on forensic evidence sets it apart from other crime dramas, and the diverse cast of characters adds depth and complexity to the storytelling. While some viewers may find the graphic depiction of violence disturbing, it can also be argued that this realism is necessary to fully convey the severity of the crimes being investigated. Overall, Murder Investigation Team is a must-watch for fans of police procedurals and true crime.
Another interesting aspect of the show is the use of technology in the investigation process. The detectives and forensic specialists make use of cutting-edge technology such as DNA analysis, digital forensics, and facial recognition software to help solve crimes. This adds a modern and technological dimension to the show and reflects the evolving nature of police work.
The show also touches upon the role of the media in high-profile murder investigations. The detectives are often under immense pressure to solve cases quickly, especially when the media is involved. The media scrutiny can sometimes help to bring attention to a case and generate leads, but it can also hinder the investigation process and lead to public misinformation.
The show’s writing and direction are top-notch, and the performances by the cast are excellent. Samantha Spiro’s portrayal of Kate Ashurst is particularly noteworthy, as she brings depth and nuance to the character. The show’s emphasis on character development allows the audience to become emotionally invested in the characters, which adds to the tension and drama of each episode.
Murder Investigation Team is a well-crafted police procedural drama that offers a realistic and detailed portrayal of the investigative process. The attention to detail and focus on forensic evidence sets it apart from other crime dramas, and the diverse cast of characters adds depth and complexity to the storytelling. While some viewers may find the graphic depiction of violence disturbing, it can also be argued that this realism is necessary to fully convey the severity of the crimes being investigated. Overall, Murder Investigation Team is a must-watch for fans of police procedurals and true crime.
Overall, Murder Investigation Team is a gripping and intense police procedural drama that offers a realistic and detailed portrayal of the investigative process. The show’s focus on forensic evidence, attention to detail, and use of technology make it stand out from other crime dramas, while its diverse cast of characters and exploration of their personal lives add depth and complexity to the storytelling. The show is not for the faint of heart, as it can be quite graphic and disturbing at times, but for fans of police procedurals and true crime, it is a must-watch.
Episodes
Season One
Moving Targets: When a uniformed sergeant and a criminal are gunned down in a drive-by, the team first has to find which was the intended victim in order to find the killer.
Daddy’s Little Girl: When a three year old building is demolished the perfectly preserved body of a nineteen year old cancer survivor is found with a crushed skull.
Rubbish: DI Friend and the team investigate the murder of a young boy who is found in collected refuse. The autopsy reveals that the boy had his heart cut out. Although no children have been reported missing, they manage to trace the victims parents who are from West Africa and have sought sanctuary in a church to avoid deportation. They thought their children were in the care of a nanny selected by their pastor, but it seems they had run away. The focus of the investigation quickly shifts to finding the victims younger brother.
Reading, Writing and Gangbanging: The team investigates two inter-related deaths. In the first a teacher, Martin Ramsay, either jumped or was pushed out of the upstairs window of his house. In the second, a tramp is found floating in the river with his head bashed in. From the evidence and the time line, it appears that the tramp may have come across Ramsay’s body, helping himself to his shoes and his wallet, but it is unlikely he had anything to do with his death. Suspects in Ramsey’s death include his wife, who was divorcing him; a fellow teacher, Kirsten Hughes who was ending her relationship with …
Red Heads: The MIT investigates the murder of Penny Wake who is found by the river. Forensic evidence shows that the woman was strangled and had been dead for several days and that the body had been moved. The killer also went to great lengths to clean the body before disposing of it. They immediately focus on the woman’s husband Neil Wake, who says he has been away from home for a week or so on business but it turns out, was actually on leave having spent a few days with his girlfriend. The investigation takes a different turn when a second abduction victim, Kathy Monroe, is …
Lambs to the Slaughter: The team investigates the murder of Dominic Morton a pedophile who was recently released from prison. He’s found in his home stabbed and emasculated the result, the police believe, of vigilantes. When they identify calls made from Morton to a Peter Taylor they also find that both men look exactly the same. The puzzle becomes a mystery when they are unable to locate Morton’s victims or any probation records for him. When they learn he was an undercover police officer trying to infiltrate a pedophile ring, the police start looking for a rent boy he was trying to get …
Models and Millionaires: The squad investigates the murder of Natasha McKay, found dead on the banks of the Thames. She was severely beaten but actually drowned. Natasha was an attractive woman who modeled in the soft porn industry and had frequently been a page 3 girl. Her wealthy property developer husband has a cast-iron alibi for the time she disappeared but DC Rosie MacManus has her own reasons for pursuing him, which causes DI Friend to question her judgment. The investigation focuses on Simon Crookshank, a friend from her schooldays as the police conclude they were having an affair.
The Bigger the Lie: The vicious murder of an investigate journalist exploring an old hate crime takes place in the same Bangladeshi neighbourhood.
Season Two
Episode 1: With DI Trevor Hands now in charge, the team investigates the stabbing of Ed Vilarin who collapses on the street, stabbed with an ice pick. There are several lines of enquiry. The police suspect that the he may have been involved in selling stolen mobile phones. He may also have been killed as part of a game of phone tag. Also, the victim had only recently reconciled with his estranged father who needed a kidney transplant. The use of a stolen credit card leads them to the killer. The team welcomes a new DC, Eva Sharpe who works on the case and proves to be a top …
Episode 2: The team investigates the death of Gerrard Anderson, a doctor at a local hospital who either jumped or fell off the hospital roof, crashing through a skylight on to the floor of the hospital canteen. Anderson was well liked by almost all of the hospital staff but one doctor in particular, Stewart Masters, doesn’t have much good to say about him. The police believe that Anderson may have stumbled on to a drug dealer in the hospital but the case takes a different turn when they learn that he was investigating the case of a young woman who died after routine surgery.
Episode 3: The team investigates the death of Sean Reynolds who is found dead at the wheel of his car. Reynolds was a professional footballer and the autopsy reveals that he died from a severe blow to the back of the head. His wife confirms that her husband had been receiving hate mail and threatening phone calls. As he was about to leave his football club as a free agent, it was put down to irate fans. The investigation leads them to a particularly rabid fan, Jason Phelps, but his information leads them right back to a more likely suspect.
Episode 4: The team has a sexual predator on their hands when a dead woman is found gagged and strangled in her flat. The woman was a crimes scene examiner and well known to them. There are several obvious suspects including an ex-boyfriend. The case takes a particular twist when a second woman is killed. There are many similarities with the first murder, but there are a sufficient number of discrepancies to convince them they have a copycat killer on their hands. The problem is that both physical and cctv evidence points to DI Trevor Hands as being the most likely suspect.
Featuring: Peter Wyngarde, Anne Sharp, Ronald Lacey and Dennis Price
Jason King:“Whenever I feel the urge to exercise, I lie down until it passes.”
Released recently on DVD is the English drama “Jason King” (1971 – 1972), he was a fictional character who first appeared in the British television series “Department S” in the late 1960s. He was portrayed by actor Peter Wyngarde and was known for his flamboyant personality, impeccable fashion sense, and sharp wit. Jason King quickly became a fan favorite, and the character was spun off into his own series, “Jason King,” which ran from 1971 to 1972.
The character of Jason King was a successful novelist who traveled the world in search of inspiration for his books. He was an expert in many fields, including art, history, and culture, and he often used his knowledge to solve mysteries and crimes. He was also an accomplished ladies’ man, with a string of romantic conquests that spanned the globe.
One of the defining features of Jason King was his fashion sense. He was always impeccably dressed, with a wardrobe that included colorful silk shirts, tailored suits, and statement accessories like cravats and ascots. He was a true dandy, and his fashion choices often reflected his larger-than-life personality.
Despite his flamboyance, Jason King was also a skilled detective. He had a sharp mind and an eye for detail, and he was able to pick up on clues that others might miss. He was a master of deduction, and he often used his knowledge of human behavior to get to the bottom of a case.
One of the most notable aspects of the “Jason King” series was its international flavor. The character traveled to exotic locations around the world, including Africa, Asia, and the Caribbean. This allowed the show to explore different cultures and showcase a wide range of landscapes and settings.
The series was also known for its humor. Jason King was a witty and charming character, and his banter with other characters often provided a lighthearted counterpoint to the more serious aspects of the show. The series was also full of action and adventure, with Jason King often getting into scrapes and dangerous situations in the course of his investigations.
Despite its popularity, “Jason King” only ran for one season. However, the character has remained popular with fans over the years, and has been referenced in numerous other TV shows and films. Peter Wyngarde’s portrayal of the character was praised for its charm and charisma, and the character of Jason King remains an iconic figure in British television history.
One of the reasons for Jason King’s enduring popularity is his timeless appeal. Despite being created in the late 1960s, the character’s flamboyance and wit continue to resonate with audiences today. He was an early example of the “dandy detective” archetype, a character who uses their intelligence, charm, and fashion sense to solve crimes. This archetype has since been used in countless other TV shows and films, but Jason King remains one of the most iconic examples.
Another reason for the character’s popularity is his sense of adventure. Jason King traveled to exotic locations around the world, often finding himself in dangerous situations. This allowed the show to explore different cultures and showcase a wide range of landscapes and settings. In doing so, it captured the spirit of adventure that was so prevalent in popular culture at the time.
Jason King was also notable for his romantic exploits. He was a ladies’ man who had a string of romantic conquests around the world. This aspect of his character added to his charm and helped to make him a popular figure with female viewers. However, it is worth noting that the character’s attitudes towards women would likely be considered outdated and sexist by today’s standards.
The “Jason King” series also had a significant impact on the fashion world. Jason King’s fashion sense was a key part of his character, and his colorful silk shirts, tailored suits, and statement accessories became iconic. The character’s fashion sense helped to define the “Swinging Sixties” aesthetic and influenced a generation of young people who were eager to embrace new and unconventional styles.
In conclusion, Jason King was a character who captured the imagination of a generation. His flamboyance, intelligence, and wit made him a popular figure with audiences, and his sense of adventure and romance added to his appeal. While the “Jason King” series may have only lasted for one season, the character has remained popular with fans over the years and has left a lasting legacy in British television and fashion history.
In addition to his character’s impact on fashion and popular culture, Jason King was also a trailblazer for representation in British television. He was one of the first leading characters in a British TV show to be openly gay, although this aspect of his character was not explicitly acknowledged on screen. Peter Wyngarde, the actor who portrayed Jason King, was himself openly gay and used his position to advocate for LGBTQ+ rights.
While the show may not have addressed the issue of sexuality directly, it is notable that Jason King’s flamboyant personality and fashion sense were seen as positive attributes rather than negative stereotypes. This was a departure from the way that LGBTQ+ characters were often portrayed in popular culture at the time, where they were often depicted as effeminate or deviant.
Jason King was also a character who challenged traditional gender roles. He was a man who was unapologetically interested in fashion, art, and culture, and he did not conform to traditional notions of masculinity. This made him an important figure for viewers who may have felt marginalized by societal expectations of gender and sexuality.
Jason King was a character who represented many different things to different people. He was a dandy detective, a romantic adventurer, a fashion icon, and a trailblazer for representation in British television. His flamboyant personality and sense of adventure captured the spirit of the “Swinging Sixties” and helped to define a generation. Today, Jason King remains an iconic figure in British television history and a symbol of the changing attitudes towards gender and sexuality that were taking place at the time.
Episodes
Wanna Buy a Television Series?: In order to interest a television mogul in buying his stories for the small screen,novelist and adventurer Jason King describes to the man a typical plot involving his hero Mark Caine. Caine meets a girl who has been given plastic surgery to resemble the deceased Michele who died in a fire. She is taken by two crooks to meet Bellini, a fence of Michele’s acquaintance,supposedly suffering from amnesia,to find out where he has hidden his private stash of valuables. Caine is aware that the girl will be killed once she has served her purpose and steps in to rescue her.
A Page Before Dying: British Intelligence plan to copy the plot of Jason’s book, ‘A Page Before Dying’, to smuggle Gorini, a man who has information for them, out of East Berlin hidden in a safe. The first part of the scheme involves Jason being smuggled into the East in the safe but when he reaches the meeting place he finds that he has been duped and used as a decoy whilst Gorini has already been taken to safety through other means.
Buried in the Cold Cold Ground: Jason needs to finish his latest book so he decides to go into isolation in the south of France. When he picks up a pretty hitchhiker and a recently released prisoner, it becomes the start of yet another Jason King novel.
A Deadly Line in Digits: On a visit back to England, Jason finds himself with income tax problems. However, it turns out to be a way of blackmailing him into helping the police solve a series of robberies where the police computer seems to be illegally accessed.
Variations on a Theme: A close friend of Jason King, a double agent called Alan Keeble, was supposed to be dead. However, when Jason receives a letter telling him to come to Vienna to meet Alan, he just has to go.
As Easy as A.B.C.: Two English criminals, Charles and Edward, are committing copy-cat robberies stolen from the plots of Jason’s books, which causes the police to take an interest in the author after a security guard is killed. Jason and his girlfriend Arlene have an encounter with the two villains and escape but, as they can now recognize the pair, they are in danger as they head for Venice, where a trap has been set for them.
To Russia with…. Panache: Jason is abducted in order to help the Moscow police work out how three men on a workers’ delegation,got into a lift and then,when the doors opened again,there was nothing left of them but three piles of ashes. He discovers that they made their exit from the lift by means of a trap door but comes to appreciate that they are part of a larger plan to tunnel into the Kremlin to steal art treasures.
A Red Red Rose Forever: Jason gets off a plane in Switzerland and is mistaken for the hitman taken ill on the plane as he has picked up the bunch of red roses which will allow the killer’s employers to identify him. He plays along out of curiosity though his cover is blown when the real assassin leaves hospital turns up. As a test Jason is told to shoot dead his mark but uses an elaborate little stunt as seen in his books to create the illusion of killing whilst identifying the villains.
All That Glisters… (Part One): An antique salt cellar made of gold by Benevenuto Cellini is stolen in California from collector Dreshfield by thief Frankie Luca, who brings it to Paris to sell to Philippe De Brion. De Brion was cheated out of its ownership some years earlier by Dreshfield, who told him it was worthless. However free-lancer Mallen has been hired by Dreshfield to pursue Luca to Paris, where he meets up with Jason, and asks him to introduce him to De Brion. After Mallen has been shot at he and Jason track down the salt cellar, only to find that it is a fake and Luca has escaped with …
All That Glisters… (Part Two): Having killed De Brion,who was out to double cross him, Luca gets on a train to Rome with the Cellini salt cellar, pursued by Jason and Mallen. In Italy a former Mafiosi called Angelo Andrea joins the chase, intending to steal the Cellini from Luca. Ultimately all the interested parties end up at Andrea’s house where they discover that all that glisters is not gold.
Flamingos Only Fly on Tuesdays: Jason arrives on a Caribbean island and find himself in the middle of a revolution when he inadvertently makes a remark about flamingos as he arrives at the airport.
Toki: In France, Jason meets Toki, whose boyfriend Jean Le Grand and another gangster, Olivier, plan to steal a cache of emeralds – after which Le Grand plans to kill Olivier. Given that she knows all the plans, Jason believes that she is a young girl who has got out of her depth and is in danger. He resolves to help her, but they are pursued by LeGrand and his mobsters.
The Constance Missal: Jason falls under the hypnotic spell of two glamorous thieves, Claudia and Elaine. Claudia steals from him the only copy of his recently completed film script, and she and Elaine demand that, for its return, he pose as an expert in ancient manuscripts in order to steal the Constance Missal, a valuable document recently acquired by the British Museum. He is to authenticate it for one Lord Barnes, but his lordship is also planning to obtain the Constance Missal for himself.
Uneasy Lies the Head: Having refused to help the British government investigate an international drugs ring Jason is surprised to learn that a man in Istanbul is impersonating him. This turns out to be Trim,a government operative,who has been studying him in order to make contact with the gang leaders and persuade then that he is Jason King. However Trim is captured and Jason has to go to Istanbul after all to save the day.
Nadine: Jason is suffering writer’s block so his publisher sends him to Greece to inspire him. However, some Greek criminals use a beautiful woman to seduce Jason using his fame to smuggle drugs into France – but who is seducing who?
A Kiss for a Beautiful Killer: Jason travels to a South American republic to receive an award – in the form of a medallion – for one of his books. In fact both the corrupt President Cordoba, who has bugged the medallion, and the opposing rebel forces, led by glamorous government minister Delphi, believe that the book is so close to the truth about events in their country that he has an actual source of information, and neither will believe that it is all a fiction.
If It’s Got to Go – It’s Got to Go: Jason’s temporary secretary in Germany convinces him to go to a health clinic. However, when several strange events occur he realises that there is much more to the clinic than it appears.
A Thin Band of Air: Jason is in Paris taking publicity photos for his latest novel when a man with a rifle shoots at him. It appears that there is bounty of 100 000 francs on him, but who is putting up the money and why? King has to find out.
It’s Too Bad About Auntie: Andrew Bishop is a nasty piece of work, who lives with – and makes life unpleasant for – his elderly, housebound Aunt Claire. One day, in the process of robbing a house, he commits a murder, for which Pamela, an innocent woman, is charged. He also steals a vacuum cleaner which, somewhat bizarrely, is Jason’s chief clue in leading him to the real culprit.
The Stones of Venice: Arriving in Venice, Jason is surprised to learn that he is the apparent author of a book entitled ‘The Stones of Venice’, which he assuredly is not. However, after he is attacked by two would-be assassins a jewel robbery takes place, and Theresa Bonival, employee of a firm specializing in antique jewellery, is abducted – incidents closely related to events in the book, and therefore sufficient for the police to ask for his help in their inquiries.
A Royal Flush: A mysterious girl calling herself Karen invites Jason to meet her at the Capri hotel but when he gets there he finds a note requesting he catches up with her at a night-club. He meets up with her but an apparent drunk drops a lighter into his pocket. Then Karen takes him to meet a lady who may or may not be a princess and who has a proposition for him.
Every Picture Tells a Story: Jason makes a stopover in Hong Kong, where his character Mark Caine appears in a Chinese comic strip but with deliberate alterations to Jason’s original story in the translation. He teams up with Lucy Cameron, nurse to wealthy businessman Arthur Tsung, to confront Irish-American Sam Finnigin, the editor of the paper publishing the strip and a man whom he has met before, for an explanation.
Chapter One: The Company I Keep: Jason King arrives in Rome just after a night-club dancer is murdered. When he finds out that the events in the book he is currently writing mirror what is happening in real-life, Jason is determined to find out what is going on.
Zenia: Whilst travelling on a plane Jason recognizes a man whom he knew from his Department ‘S’ days to be a professional assassin, and so he is intrigued and on his guard when he arrives at his destination – not without due cause, as he will soon find himself caught up in a plot to foil a group of revolutionaries out to kidnap the daughter of the country’s president.
An Author in Search of Two Characters: In London, Jason is paid a great deal of money for a film script only to be relieved of it by two robbers. Later, whilst taking a moonlight stroll he sees an astronaut shooting somebody, and then he is attacked and knocked unconscious by a bear. When he wakes up next morning with a headache it all seems very real, but the police obviously believe that he dreamed it.
That Isn’t Me, It’s Somebody Else: Jason has an invitation to go to Italy and stay with Bonisalvi,an international criminal who lives in the most secure seclusion. A rival gangsters’ syndicate uses the opportunity to send Bennett, a hit-man posing as Jason to kill Bonisalvi whilst Jason himself has problems fleeing the beautiful but deadly Martine,who seems to have more than marriage on her mind.
The airing of the seventh episode of HBO’s “The Last of Us” brought with it a mostly faithful adaptation of ‘Left Behind,’ the downloadable extra content for the original game that serves as something of a standalone chapter in the story.
Exploring the backstory of Ellie’s character and her relationship with the previously mentioned ‘Riley’ (played by guest star Storm Reid), a making-of featurette about the episode was also released and can be seen below.
HBO has premiered the trailer for the eighth episode – the second-last episode of the season – which will adapt the entire Winter/Lakeside Resort section of the game. With it comes some visible changes to events including a more in-depth look at David’s ‘community’ from the game.
“Anne with an E: Season One – Three” (2017 – 2019)
Television
Twenty Seven Episodes
Created by: Moira Walley-Beckett based on Anne of Green Gables by Lucy Maud Montgomery
Featuring: Amybeth McNulty, Geraldine James, Dalila Bela, Lucas Jade Zumann, Aymeric Jett Montaz, R. H. Thomson,Corrine Koslo, Dalmar Abuzeid, Cory Grüter-Andrew, Joanna Douglas and Ashleigh Stewart
Anne:“Girls Can Do Anything A Boy Can Do, And More!”
Released recently on DVD is the Netflix produced television series “Anne with an E: Season One – Three” (2017 – 2019) based on the classic book. It tells the story of Anne Shirley, an imaginative and talkative orphan girl who is mistakenly sent to live with the aging brother and sister, Matthew and Marilla Cuthbert, in the fictional town of Avonlea, Prince Edward Island, Canada, in the late 19th century. The series was created by Moira Walley-Beckett and premiered on Netflix in 2017, running for three seasons until its cancellation in 2019.
The series is notable for its portrayal of Anne’s character, who is brought to life by the talented young actress Amybeth McNulty. Anne is portrayed as a complex and multi-faceted character, whose imagination and love of books are both a source of comfort and a coping mechanism for the hardships she has faced in her life. She is also fiercely independent, intelligent, and quick-witted, and often challenges the traditional gender roles and societal expectations of her time. Her determination to pursue her dreams and aspirations despite the obstacles she faces is both inspiring and empowering.
One of the unique aspects of “Anne with an E” is the way in which it explores and tackles important social issues of the time period, such as feminism, racism, classism, and mental health. For example, the series features a diverse cast of characters, including Indigenous people and characters of color, and highlights the discrimination and prejudice they face in society. It also depicts the struggles of those living in poverty, particularly the character of Jerry Baynard, who is homeless and often hungry. The series also addresses the stigma and lack of understanding around mental illness, particularly through the character of Matthew Cuthbert, who suffers from social anxiety.
In addition to its exploration of social issues, “Anne with an E” is also visually stunning, with breathtaking cinematography and a beautiful soundtrack that captures the essence of the Canadian landscape and the time period in which the series is set. The attention to detail in the costumes, set design, and props is also noteworthy, as they help to transport the viewer back in time and create a rich and immersive world.
Despite its many strengths, “Anne with an E” faced criticism and controversy from some fans of the original novel who felt that the series deviated too much from the source material and took too many creative liberties with the story and characters. Others felt that the series was too dark and gritty, and that it did not capture the lighthearted and whimsical tone of the book. However, many fans of the series appreciated the way in which it expanded upon the themes and characters of the original novel, and saw it as a fresh and modern take on a beloved classic.
In conclusion, “Anne with an E” is a beautifully crafted and thought-provoking series that explores important social issues and celebrates the resilience and strength of its central character. Its stunning visuals and engaging storytelling make it a must-watch for fans of the classic novel and newcomers alike.
Furthermore, one of the strengths of the series is its ability to appeal to a wide range of audiences. While the series can be enjoyed by fans of the original novel and those who appreciate period dramas, it also appeals to a younger demographic with its focus on issues such as identity, self-discovery, and friendship. The themes explored in the series are universal and timeless, and are relevant to audiences of all ages.
Another aspect of the series that has garnered praise is its handling of sensitive topics. The series does not shy away from portraying difficult and uncomfortable situations, such as domestic violence, child abuse, and sexual harassment, in a realistic and respectful manner. It shows the impact that these experiences have on the characters and their relationships, and the steps that they take to heal and move forward. The series also highlights the importance of seeking help and support from others, and the power of community in overcoming adversity.
The cancellation of “Anne with an E” after three seasons was met with disappointment from fans of the series, who launched a campaign to save the show under the hashtag #RenewAnnewithanE. While the campaign was ultimately unsuccessful, it demonstrated the impact that the series had on its viewers, and the desire for more representation and diverse storytelling in the media.
In conclusion, “Anne with an E” is a powerful and thought-provoking series that captures the spirit of the original novel while expanding upon its themes and characters. Its exploration of important social issues and its celebration of the strength and resilience of its central character make it a must-watch for audiences of all ages. The series will continue to inspire and captivate viewers for years to come, and will remain a testament to the enduring legacy of Lucy Maud Montgomery’s beloved novel.
Episodes
Season One
Your Will Shall Decide Your Destiny: Anne arrives at Green Gables and struggles with fitting into her new environment.
I Am No Bird, and No Net Ensnares Me: Filled with worry Matthew Cuthbert races to find Anne before it’s too late.
But What Is So Headstrong as Youth?: Anne is introduced to the inner social workings of public school, while Marilla is introduced to the inner social workings of Avonlea’s progressive young mothers.
An Inward Treasure Born: Anne and Marilla struggle with Anne’s staunch boycott of the local school. A minister’s backward advice has a reverse effect, causing Anne to fiercely challenge gender norms.
Tightly Knotted to a Similar String: Anne is allowed to ask her best friend Diana over for afternoon tea, things start to go wrong when she looks for the Raspberry Cordial.
Remorse Is the Poison of Life: An emergency occurs in Diana’s family while her Mom is away.
Wherever You Are Is My Home: The Cuthberts vow to do whatever it takes to save the farm, which reminds Anne of the strength of friendship and love.
Season Two
Youth Is the Season of Hope: The Cuthberts’ boarders stir excitement with a question: Could there be gold in Avonlea? Elsewhere, Gilbert makes a new friend at sea.
Signs Are Small Measurable Things, But Interpretations Are Illimitable: The steamer lands in Trinidad, bringing Bash face to face with his past. The Barrys get behind the gold rush, but Matthew and Marilla aren’t so sure.
The True Seeing Is Within: An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren’t as innocent as they seem.
The Painful Eagerness of Unfed Hope: Anne writes letters as an “agent of romance” while Diana trains at home to be a lady. A life-changing encounter steers Gilbert toward his destiny.
The Determining Acts of Her Life: A game of spin the bottle prompts burning questions about love and beauty. Anne and Cole bond over their differences as Gilbert makes his way home.
I Protest Against Any Absolute Conclusion: Anne faces the world with a shocking new look while the town preps for its annual Christmas pantomime. Gilbert and Bash join the Cuthberts for dinner.
Memory Has as Many Moods as the Temper: Cole accompanies the girls to Aunt Josephine’s for a lavish party filled with surprises. Back at home, Marilla’s health takes a worrisome turn.
Struggling Against the Perception of Facts: With a wedding on the horizon, Anne wonders what kind of bride she’d like to be. Marilla sees an oculist, and Bash meets a friendly face in “The Bog”.
What We Have Been Makes Us What We Are: A brand-new teacher brings unconventional methods — and a motorbike — to Avonlea. Gilbert’s plan to speed up his studies leaves Bash feeling lost.
The Growing Good of the World: Anne rallies her friends to save Miss Stacy in the wake of a disastrous incident. Bash gets an unexpected gift, and Cole makes a surprising choice.
Season Three
A Secret Which I Desired to Divine: Anne’s sixteenth birthday inspires her to learn more about her genealogy.
There Is Something at Work in My Soul Which I Do Not Understand: Anne’s search takes her back to the orphanage, where she’s forced to confront new realities. Meanwhile, Elijah pays a visit to Avonlea.
What Can Stop the Determined Heart: As Easter approaches, Mary’s illness brings change to Avonlea.
A Hope of Meeting You in Another World: Ka’kwet travels to school, while Anne embarks on the next phase of her quest.
I Am Fearless and Therefore Powerful: A dance rehearsal generates sparks (and tension).
The Summit of My Desires: The Cuthberts gain a new perspective on Prince Edward Island.
A Strong Effort of the Spirit of Good: Anne rallies the town to speak out against injustice.
Great and Sudden Change: The students sit for the Queens entrance exams.
A Dense and Frightful Darkness: Matthew and Anne journey to help Ka’kwet.
The Better Feelings of My Heart: Anne steps into the next chapter of her life.
Written by: Jez Butterworth and John-Henry Butterworth based on Flim-Flam Man: The True Story of My Father’s Counterfeit Life by Jennifer Vogel
Directed by: Sean Penn
Featuring: Dylan Penn, Sean Penn, Miles Teller, Katheryn Winnick and Josh Brolin
Jennifer:“My father… he died a hundred times poking holes in his veins, like so many rehearsals for our ultimate rejection.”
Released recently on DVD is the Sean Penn directed drama “Flag Day” (2021) that takes a true story about a criminal and concentrates on the father-daughter relationship which is interesting to a point. The film features a star-studded cast, including Sean Penn, his real-life daughter Dylan Penn, and Josh Brolin. While the film’s pacing can be slow at times, the overall story is engaging and thought-provoking.
“Flag Day” tells the story of Jennifer Vogel (played by Dylan Penn), a young woman who struggles to reconcile with her father, John Vogel (played by Sean Penn), a master counterfeiter who is constantly on the run from the law. The film begins with a young Jennifer living with her father, John, who is a charming but unreliable father figure. As she grows up, Jennifer begins to realize that her father is not the honest man she believed him to be. John is a master counterfeiter and is constantly on the run from the law. Jennifer is forced to move from place to place with her father, causing her to miss out on a normal childhood.
As Jennifer reaches adulthood, she begins to distance herself from her father, who has become increasingly erratic and unstable. Jennifer is a journalist who is trying to make a name for herself in the industry. She meets a man named Jerry (played by Hopper Penn), who she falls in love with and starts a family. John becomes jealous of Jerry and their life together, and his erratic behaviour reaches new heights.
The film’s exploration of the complex relationship between Jennifer and John is the heart of the movie. As Jennifer struggles to come to terms with her father’s criminal past and erratic behaviour, she begins to see him for who he truly is, a man who is flawed but still trying to do right by his family. Sean Penn’s direction is commendable, as he manages to create a gritty and realistic world that feels true to life. The performances in the film are also strong, particularly Dylan Penn, who gives a nuanced and heartfelt portrayal of Jennifer. Sean Penn is also excellent as John, capturing the desperation and pain of a man who has made many mistakes but is still trying to make things right.
The use of flashbacks in the film is effective in showing the audience how John became the man he is, and how his actions have affected his family. The film does not try to excuse John’s behavior, but instead shows the impact it has had on those around him. The flashbacks are expertly woven into the narrative, providing context and depth to John’s character and the events that have led to the current state of affairs.
The film’s pacing can be a bit uneven at times, with some scenes feeling a bit slow and others feeling rushed. However, this does not detract from the overall impact of the film. The film’s climax is particularly moving, as Jennifer confronts her father about his past and they both come to terms with the reality of their situation. The film ends on a hopeful note, as John tries to make amends for his mistakes and Jennifer begins to find peace in her life.
One of the standout features of the film is its depiction of the consequences of a life of crime. John’s criminal activities have not only impacted his own life, but also the lives of those around him. Jennifer has had to deal with the emotional scars of a tumultuous childhood, while John’s criminal activities have left him with a criminal record and an uncertain future. The film does not shy away from the harsh realities of a life of crime, but also shows that there is hope for redemption and forgiveness.
The film also explores themes of love, forgiveness, and the importance of family. Jennifer’s relationship with her father is a complex one, but it is clear that she still loves him despite his flaws. The film shows that forgiveness is a difficult but necessary process, and that family can be a source of strength and support in difficult times.
“Flag Day” is a well-made crime drama that features strong performances and solid storytelling. While it may not be a ground-breaking or particularly original film, it is still worth watching, particularly for those who enjoy character-driven dramas with a touch of suspense.
Featuring: Noomi Rapace, Hilmir Snær Guðnason, Björn Hlynur Haraldsson and Ingvar Eggert Sigurðsson
Petur:“It’s an animal, not a child.”
Released recently on DVD is the Horror/Drama/Comedy “Lamb” (2021) which has at its centre a very odd premise that is at once immediately interesting and weird with some fascinating characters but is let down by a light story and very little actual depth in the people we encounter. I for one enjoyed “Lamb” for what it was but it is definitely led by a great performance by Noomi Rapace who here reminds us all why she burst onto screens over a decade ago.
“Lamb” is a haunting and surreal film that tells the story of a childless couple in rural Iceland who adopt a mysterious and unconventional lamb. Maria (Rapace) and Ingvar (Hilmir Snaer Guðnason) are an unhappy couple with a remote farm in Iceland: it gradually becomes clear they have lost their only child. The drama begins with a strange spirit-visitation in the barn that scares the animals: a ewe becomes pregnant with a bizarre animal-human hybrid and poor, stricken Maria (her name’s importance is left for us to digest) conceives a passionate attachment to this precious being, naming it Ada after her dead human daughter.
From the opening shots of the desolate Icelandic landscape, “Lamb” establishes a tone of otherworldly mystery and unease. The cinematography is beautiful, with wide shots of rolling hills and close-ups of the expressive faces of the actors. The film’s score is also a highlight, with haunting strings and eerie vocalizations that add to the film’s unsettling atmosphere.
As the story unfolds, we learn more about the couple’s motivations for adopting the lamb and the strange circumstances surrounding its birth. Without giving too much away, I will say that the film deftly explores themes of parenthood, grief, and the boundaries between humans and animals.
Directed by Valdimar Jóhannsson who here is making is his feature debut seems more interested in showing what he can do rather than concentrate on anything that would be memorable past the technical aspects which are to be fair excellent. When watching the film it seems there is very little to hold the interest for a sustained period of time and that comes down to the script and inability of Jóhannsson to drive a plot through the narrative. “Lamb” struggles to find meaning but at the same time gives little respect to the written characters and seems to leave all the heavy lifting to the actors while they are outlines of real people.
Rapace and Guðnason deliver excellent performances, conveying a sense of quiet desperation and yearning that is both relatable and unnerving. The lamb itself is also a fascinating presence, with its uncanny appearance and unexplained behavior adding to the film’s sense of unease. What is disappointing is that there is no indication of how their lives are lived on any real basis, we never see what they are doing with their flock or in fact how they even deal with each other which is a loss for the audience as well as the actors.
There is no doubt that this film attempts to offer some real themes, especially the loss of a child and what people will do to deal with this, there are stories of Mothers doing very extreme things when dealing with that and a mental break of any degree. However “Lamb” doesn’t really follow through on anything instead attempting to replace that with shock and twists. It may have been better to work on the script a lot longer to bring forth some actual comment on loss rather than just seeking a replacement for a lost child which can only go so far. In terms of the horror/fantasy element there can be comparisons drawn with the now long running Apple TV+ series “Servant” (2019-present) which too deals with the loss of a child but also brings in other elements to make sure there are some interesting story beats that play out around the loss and subsequent replacement of a baby. “Servant” is not a perfect series but it does show how to make different themes more palatable as well as exploring what it means to lose a child and again what people do to deal with a loss even when they seem strange and ridiculous from the outside.
Overall, “Lamb” is a thought-provoking and deeply unsettling film that will stay with you long after the credits roll. It may not be for everyone, but for those willing to embrace its strange and surreal world, it is a truly unforgettable experience.
