“Bewitched: Seasons 3 & 4” (1966 – 1968)

Comedy / Television

Sixty Episodes

Created by: Sol Saks

Featuring: Elizabeth Montgomery, Dick York, Agnes Moorehead, Dick Sargent and David White

Uncle Arthur: [to Endora] “When I think of you as a blood relative, I long for a transfusion.”

The gradual high-definition restoration of Bewitched has been one of the most rewarding catalogue-TV upgrades of the past decade. Seasons 3 and 4 mark the series’ creative peak, sitting at the perfect intersection of warm domestic comedy, whimsical fantasy, and that unmistakable Screen Gems gloss. These Blu-ray releases continue Sony’s surprisingly excellent work on the show—faithful, film-like presentations that maintain the charm of 1960s network television while revealing just how artfully Bewitched was produced.

Both seasons also represent pivotal shifts for the series: Season 3 is the final year of black-and-white production (albeit shot on color stock later presented monochromatically), and Season 4 brings the much-heralded switch to full color. The Blu-rays treat each era with appropriate respect, giving longtime fans the best home-video representation these iconic episodes have ever had.

Season 3 has always been the most visually misrepresented in syndication, often appearing soft, contrast-heavy, or riddled with print damage. The Blu-ray upgrade is close to revelatory. Each episode—scanned from Sony’s 4K archival restorations—offers crisp detail, rich blacks, and stable whites without harsh digital tinkering.

Film grain is intact, natural, and pleasingly fine. Close-ups of Elizabeth Montgomery reveal nuances that were simply invisible in the DVD era: eye texture, hair highlights, and the subtle makeup techniques of classic television cinematography. Background details—kitchen counters, living-room props, costume fabrics—finally read as objects with real dimension.

Special effects, always charmingly handmade, benefit from the sharp transfer. Jump cuts, optical composites, and wire removals are clearer than ever, but not in a way that breaks the spell—rather, they serve as a time capsule of clever mid-century television craft.

Season 3 in HD feels like watching the show as it would have appeared at its 1966–67 network broadcasts.

The transition to color brings a new visual character, and the Blu-rays preserve this era with exceptional fidelity. Colors are warm, bold, and very much of the 1960s: pastel kitchens, vivid costumes, bright florals, and the familiar Bewitchedturquoise-and-lavender shimmer.

The restoration is remarkably consistent. There’s no evidence of color bleeding, over-saturation, or heavy-handed noise reduction. Grain is slightly more pronounced than in the black-and-white episodes—typical of 35mm Eastmancolor stock—but remains organic.

Perhaps the biggest revelation is how beautifully lit Bewitched truly was. Dora’s dramatic entrances, Maurice’s magical theatrics, and the more elaborate in-house set-ups all shine under the crisp, color-rich HD presentation.

A few episodes show minor source limitations—slightly softer shots or occasional flicker—but nothing that distracts or feels neglected.

Both seasons feature a lossless mono track, and while the audio is inherently limited by 1960s production, it is surprisingly vibrant. Dialogue is clear and well-balanced, music cues retain their jaunty orchestral shimmer, and magical sound effects have greater presence than ever before.

Season 4’s audio occasionally sounds a touch brighter due to the period’s production shift, but both seasons avoid distortion or harshness. Sony has not attempted any inappropriate faux-stereo processes, and the result is a faithful sonic presentation of the series.

Unfortunately, like the previous season sets, Seasons 3 and 4 are light on new supplemental material. There are no new commentaries, featurettes, or archival interviews that might have enriched the release. Most viewers will regret the absence of behind-the-scenes context, especially given the show’s historical significance.

However, the episodes themselves are uncut, beautifully restored, and remain the primary attraction. Menu design is clean and functional.

Season 3 (1966–67)

Here the show fully embraces its rhythm. Standouts include:

• “Twitch or Treat” – A classic Halloween romp.

• “I Remember You…Sometimes” – Endora’s pranks escalate hilariously.

• “Sam’s Spooky Chair” – A perfect blend of suburban chaos and magical mishap.

• “Super Car” – A wonderfully absurd outing that typifies the show’s charm.

Season 3 balances smart domestic comedy with clever fantasy storytelling. Montgomery’s dual-performance finesse, Dick York’s impeccable timing, and Agnes Moorehead’s commanding presence all shine.

Season 4 (1967–68)

The color era introduces a slightly bolder comic tone. Highlights include:

• “Long Live the Queen” – Samantha is crowned Queen of the Witches.

• “Hippie, Hippie, Hooray” – Montgomery brilliantly plays a free-spirited lookalike.

• “The Horn of Plenty” – A sweet, inventive magical mishap.

• “The Safe and Sane Halloween” – A fan-favorite, enhanced beautifully by color.

The color brings renewed energy, and the show feels at times even more modern in its comedic pacing.

Seasons 3 and 4 of Bewitched on Blu-ray are essential upgrades, offering the finest presentations these episodes have ever received. Season 3’s black-and-white elegance shines with newfound clarity, while Season 4’s color episodes sparkle with nostalgic richness. The lack of bonus features is the only substantive drawback, but the core restorations are exceptional.

If you’ve been collecting the Blu-ray sets, these entries maintain—and sometimes surpass—the quality of the earlier releases. If you’re discovering Bewitched anew, these two seasons sit at the heart of the series’ identity and are presented here with affection and technical polish.

A must-own for classic TV fans, restoration enthusiasts, and anyone who appreciates the magic of Samantha Stephens’ twitch.